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OpEdNews Op Eds    H4'ed 5/7/20

Death: A Simple Idea with A Powerful Punch

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Since death is one idea that has no history except as an idea and not a reality any of us have experienced, it is the most frightening idea there is and also quite simple. It is the ultimate unknown. It has always haunted human beings, whether consciously or unconsciously. It lies at the root of war, violence, religion, art, love, and civilization. The good and the bad, the beautiful and the ugly, why we like to win and not lose, pass and not fail, "pass on" and not die. It is so funny and so sad. We would be lost without it, even when we feel lost when thinking about it. And it is fundamental for understanding the action and reaction to Covid-19.

Societies have always been people banded together in the face of death. And since people are not just physical beings but symbolic creatures who can think and imagine the past and the future, societies are necessarily mythic symbol systems whose job is not only to protect people physically, but symbolically as well. Sometimes, however, the protection is a protection racket with racketeers holding people hostage to fabricated fears that keep them locked in a living-death.

Thus death, this most potent imaginative idea and reality that doesn't exist except as a mystery about which anything we say is speculation, can be used for good and evil, depending on who controls society. Death is the great fear, the human haunting that hangs by a thread over life like the sword of Damocles.

In 1944 in a newspaper column, George Orwell made an astute remark:

"There is little doubt that the modern cult of power worship is bound up with the modern man's feeling that life here and now is the only life there is. If death ends everything, it becomes much harder to believe that you can be in the right even if you are defeated". I would say that the decay in the belief in personal immortality has been as important as the rise of machine civilization."

Beliefs, of course, like "personal immortality" and all others, such as the recent rise in the belief in atheism, which is as much a belief as belief in God, are, partially at least, relative to time and place, and develop out of social storytelling. The "hard facts" on which many feel their lives and security rest are themselves dependent upon the symbols which give them legitimacy. Reality is indeed precarious with society suspended by a web of myths and symbols. It is through cultural and social symbol systems that society's meaning is transmitted to individuals, and it is within the symbol systems that the control and release of action resides. In today's electronic mass media world, those who control the mass media that control the narrative flow and the storytelling, control the majority's beliefs and actions.

Since society is held together by this myth system the beliefs and values people live for and live by that sustains it, societies have always had to offer symbolic "answers" to death. For without a meaningful symbolic for coming to terms with death, human action would be stymied and people would be reduced to what the psychiatrist Allan Wheelis termed "intense, preoccupying yearning." Today we can hear such yearning everywhere.

Shortly after Orwell made his prescient comment in The Tribune, nuclear weapons were developed and used by the United States to kill hundreds of thousands of innocent Japanese civilians. With those weapons and their use, the ages-old symbolic narrative of life and death was transformed in a flash. "The significance of the possibility of nuclear death is that it radically affects the meaning of death, of immortality, of life itself," wrote Hans Morgenthau. The traditional symbolic sources that once served to allow humans to transcend death were fundamentally undercut, and the search for new modes of death transcendence was carried on beneath the portentous covering of the nuclear umbrella. A qualitative transformation in the meaning of human existence was thus brought about as humans, who had the weapons, replaced the belief in God as the holder of the power over life and death, since nuclear war could result in the extinction of human life, leaving no one left to die.

This is our world today, and it is where the Covid-19 story takes place. A world not just of nuclear fear, but a host of other fears constantly inflamed by the mass media that hypnotize people through the conjuring of death-fear.

In his great work on group psychology, Freud showed us how it was not just mental contagion and the herd instinct that got people to join in group behavior. People could be induced to become little children and obey their leaders because they have "an extreme passion for authority." When leaders speak, the children hear the inner voices of their parents telling them to be careful, be very careful, the bogeyman is everywhere, so listen and obey. Freud, the Jewish atheist, and Dostoevsky, the Russian Orthodox Christian, were in agreement about people's desire to give up their freedom to authority figures who would allegedly shelter them within their warm embrace.

The easiest way to do this is to convince people that death is stalking them, for the bogeyman is always death in one form or another.

It works to get people to support the terrifying sadism of wars against fabricated "others," who are always portrayed as aliens who are out to kill the good people.

It works to get people to give up their freedoms out of fear of "terrorists," who are said to slide and hide in the interstices of everyday life, ready to pounce and kill at any moment.

And it works to get people to obey orders to protect themselves from terrifying viruses that are lying in wait everywhere to strike them dead.

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Edward Curtin is a widely published author. His new book is Seeking Truth in A Country of Lies - His website is

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