Please don't get me wrong. I do feel indescribable sadness and anger about fellow artists being killed in such a cruel way. I feel hopeless that whatever we are can be erased so easily by such an insane violence. I wouldn't be alive today if I didn't have art. If I didn't have my special relationship to the magical moments in my studio, if I didn't have the ecstatic joy of feeling connected to total strangers through the evidences of those moments, and if my work didn't pull me out of my destructive drinking habit, I wouldn't be alive today.
There are two reasons why my profile picture doesn't say "I am Charlie Hebdo" -- the slogan of support for the magazine Charlie Hebdo. First, as many of my Facebook friends have already pointed out, some of the Charlie Hebdo pieces harshly satirize victims as much as the perpetrators of injustice and inhumanity. My position is that if we lived in a world where opportunities were given equally and everyone was treated equally, it's probably alright to pick on anyone. I do believe in the power of a simple narrative to shed a light on a mechanism of absurdity.
But we live in a world where a handful of people are monopolizing the power and wealth. I see that as a major premise of our time. It's the biggest absurdity permeating every level of our lives. Yet, it is the most carefully concealed dynamic of our time. Inequality and injustice is our normal. Racism and white privilege is our horizon line. Satirizing everything equally in this condition, to me, seems to contribute to masking this abnormality. It is an ironic paradox of working in a cultural sphere so thoroughly affected by the hierarchy of money and violence. In particular, attacking Muslims when the West is engaging in devastating colonial wars against Muslim countries, which have resulted in millions of deaths so far, seems to be extremely narrow sighted. Especially when the extreme nature of Islamic nations largely stems from decades of the violent colonial policies of the West. Here is an excellent article on it.
The second reason , I think, is much more important to me. As soon as the event occurred, we were flooded by the mainstream media and world leaders condemning the senseless violence with their blame directly aimed at Islamic extremists, hinting reinforced counter violence and enhanced security measures against Islamic nations. It is obvious that the same people who are engaging in devastating colonial wars of resources for decades are seizing the moment to utilize the tragic deaths to take away more lives and forward their agendas of exploitation and subjugation in the name of freedom and art.
To me the attack in Paris must be seen as a part of the violent excursions being repeated by the Western military interventions. It must be counted as one of the senseless attacks inflicted daily upon the people of Syria, Iraq, Afghanistan, Pakistan, Yemen, Libya, and many other places. These attacks are perpetrated by the people who have been, one way or the other, supported by the Western nations and its allies to destabilize and create failed states of chaos, sufferings and deaths for the interests of the Western corporations and banks. Again, the above article is a good starting point in understanding the colonial history of the Middle East.
I have to stand with people who are losing everything as much as I have to stand up for freedom of speech. These things are not mutually exclusive. Actions to protect free speech must not result in deaths and destruction serving the authoritative order of our time. Those who are already suffering tremendously need more people standing up for their rights to countries, communities, cultures, histories, lands, and their lives. We must face our real enemy hiding behind the voice of free speech.
Here are a few helpful materials to understand the historical background of what we are facing today. Please share them with your friends and your family members:
Edward Said On Orientalism
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The Crisis of Civilization by Nafeez Mosaddeq Ahmed
Reverse Racism by Aamer Rahman
Hiroyuki Hamada is an artist. He has exhibited throughout the United States and in Europe and is represented by Lori Bookstein Fine Art. He has been awarded various residencies including those at the Provincetown Fine Arts Work Center, the (more...)
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