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OpEdNews Op Eds    H1'ed 2/17/18

A Common Culture Makes the Nation

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Baby ritualistically abandoned, Saigon, 2018
Baby ritualistically abandoned, Saigon, 2018
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In Saigon, the foreign tourists stay mostly downtown, where they can patronize American bars, and restaurants serving Indian, Thai, Korean, Italian, Mexican and Middle Eastern food, not to mention McDonald's, Burger King, Kentucky Fried Chicken, Popeyes, Starbucks and Lotteria, the last a Japanese chain. With English as the lingua franca, they can be overseas, yet somewhat at home, and with their smart phones, they can be anchored further in the familiar. Once, traveling meant having virtually no news from home, and no choice but to be immersed in the alien. How many still remember picking up an International Herald Tribune to find out, say, if the Phillies won three days ago?

The salad bowl or cultural mosaic of downtown Saigon is, in fact, quite generic, for it echoes that which can be found all over the world. Far from celebrating differences, multiculturalism blunt distinctivenesses, for cultures tame, tint and distort each other when abutting. During French rule, Vietnamese stopped lacquering their teeth black, started wearing Western clothing, so now, the traditional head wears and tunics are rarely seen, especially on men. In Germany, many school cafeterias have removed pork dishes since their growing population of Muslim students can't eat them. Putenwurst, anyone?

For two weeks in Saigon, I only went downtown twice, so saw almost no one of another race or even ethnic group, so almost none who was unfamiliar with the infinity of Vietnamese traditions, habits and tics that make up this nation.

Most mornings, I was awakened by cockcrows, for Vietnamese keep chickens everywhere, even in army barracks and factories. I learnt to identity the sounds of two nearby roosters. For five days straight, however, I was also roused from bed, before seven always, by musicians entertaining funeral guests down the street. Sometimes, it was the funky sounds of Mekong Delta blues, or "nha' ║ íc ti t," with a supremely evil guitarist jamming away. Other times, it was a horn band, with two trumpets and two saxophones, that sounded like Nola, Motown or Sun Ra, or just plain schmaltzy. They also employed a guy who could balance a motorcycle on his head and shove a long steel rod up his nose. This is no way to send off the dead, you may think, but it's perfectly normal in Vietnam, and all out in the open, for the entire neighborhood to see.

Another day, an eight-month-old baby was placed in a basket then ritualistically abandoned in an alley. Immediately found by a relative, he was brought home, where his new (old) family gushed, "Oh, what an adorable and sweet baby! He's so easy to take care of! That's why we're adopting him!" The reason for this skit? The kid had been spitting out milk during feeding times.

Imagine either of the above scenarios taking place in Cupertino or Leipzig.

Being among your kind means there's no need to explain a cultural or historical reference, where nothing is exotic, where conversations are subtle and freely allusive, where humor is constant and deft, where you never have to apologize for just being, but there are also niceties to observe and taboos to avoid, obligations that are ungraspable to nearly all outsiders.

It's rare to find a man who's equally at home in two cultures, much less several, but it's an alluring myth, as testified by the popularity of the Dos Equis ads featuring "The Most Interesting Man in the World." A suave and world-wearied middle-aged man golfs with bushmen in the African savanna, emerges from an Inuit's fishing hole, bowls expertly in a Pakistani cricket match, jokes with locals while riding atop an Indian train, walks on hot coals while carrying a woman in the South Pacific, plays handball in Harlem, soaks with macaques in a Japanese hot spring. "He never says something tastes like chicken, not even chicken." "He can speak French, in Russian." "When in Rome, they do as he does." "Locals ask him for directions." Never out of his elements, this impossible character is a globalist icon.

In reality, the vast majority of men can't even order coffee in a second language, and would feel out of place in a strange bar, much less a foreign country, and that's fine, for it has always been this way.

Not even war could chase millions of Vietnamese out of the country. Only Communism, a deeply alien ideology, managed to do so, but now that the Party has eased up on its dogmas, many Vietnamese are returning.

Those who have never been to the US, however, still harbor many fantasies about it, for American movies and music videos are hypnotically seductive. Even as it kills and commits suicide, the US tirelessly projects images of boundless wealth, virility and sexiness. Producing next to nothing, it sells dreams.

Last week, I witnessed a bingo game where each number was coupled with a humorous verse. While one man banged on a drum and cymbal, another guy sang, "Mamma, don't marry me off too far away. The US or Canada is fine! Mamma, don't marry me off nearby. I'll visit often to borrow rice!"

Oh, exotic America! A mile from me, there's a cafe' called Cowboys' Place, with a slogan in English, "Cowboy Up Your Life." Its logo is a mean-assed sheriff with two Colt 45's. What it offers, though, are lassis, matchas, yogurt shakes, Italian sodas, fresh juices and assorted queer, fruity concoctions. It's clear that neither its owners or clientele have thought too much about the cowboy concept. It doesn't matter. Cowboys are American, thus cool, and that's enough of a selling point, apparently.

At a Lotteria, there's this mangled evocation of America on a wall:

redneck bikers munching sliders look to the past for better riders stars and stripes and girls in stetsons cows in buns and boys in we sterns rock then roll for big check pay days mountain rang estenlane freeways this land is our land but once was their land the untamed food of gold rush miners the beef, the fries the roadside diners, oh say can you see from the nation of night its gift to the world

It's like Whitman shredded, digested and pooped out. As the country implodes, its spastic myth still lights up the sky.

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Linh Dinh's Postcards from the End of America has just been published by Seven Stories Press. Tracking our deteriorating socialscape, he maintains a photo blog.

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