Outright rejection by PBS is required by Horowitz's contract in order for him to regain independent control of his film. In December 2013, in his original letter to the editor of the Santa Fe Reporter , Horowitz summed up his experience to date this way:
"PBS "World Channel' executives accepted, scheduled and advertised the show nationally, only to reverse their decision and cancel the show at the last minute. The show was originally accepted and then later rejected by two different branches of PBS, on three different occasions. PBS executives promised to deliver to me, a list of the precise points in the film that they felt represented "bias,' or questions of "fact,' and I promised to work with them to fix any problems. But PBS has still never delivered any specifics whatsoever of their complaints about the film, a film by the way that they have already completely reworked with their own editors."
The project has also had support from private foundations, including the Kindle Project , where: "We support whistleblowers and rabble-rousers. We give grants to peacemakers and seed savers. We make awards to artists and activists. We support people and projects working towards solutions and alternatives to systems in transition. We seek out the strange, the bizarre, the unpolished, the less likely to receive funding. We fund individuals and initiatives that may seem risky or radical to mainstream funding sources"."
Public information is not always well known by the public
The unsigned " Notes on Nuclear Savage : The Islands of Secret Project 4.1" on the Kindle Project web site from April 2012 talks about the ways the film was succeeding, despite unofficial quasi-government censorship and beyond "the glamorous festival circuit":
"Heartbreaking is the most poignant word that could be used to describe this film, and in my conversations with Adam this word has been uttered more than once. I've often wondered how he has the stamina for this subject matter; the stamina to expose himself to the worst kinds of atrocities that humans inflict on one another. The people of the Marshall Islands have faced similar catastrophic fates as the victims who underwent Nazi medical tests during WWII. Adam was there to tell the world about it. These days, his perseverance comes from the success of the film -- not just from the attention it's getting from the international circuit, but from what's happening in the Islands themselves."
What was happening in the islands was that "Nuclear Savage" was being shown again and again on local and national television channels. It was shown at the Pacific Island conference of Presidents. People were copying and bootlegging the film across the region, with bootleg copies sometimes turning up on television. And Marshallese activists were using the film to resist U.S. government efforts to re-re-settle some populations back to their home islands that were still dangerously radioactive.
"As of now, no one has moved back," Horowitz told an audience after showing "Nuclear Savage" at the International Uranium Film Festival in Window Rock, Arizona, last December. Despite the American effort to re-re-settle the forced Marshallese refugees on their former home islands, Horowitz said the effort had amounted to "just a bunch of empty houses."
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