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Held at Einab Junction: Inside Israel's New Terminals

By Anna Baltzer  Posted by Dick Overfield (about the submitter)       (Page 3 of 5 pages) Become a premium member to see this article and all articles as one long page.   1 comment

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"Which door?"

"The one on the left."

"Left of what? Where are you?"

"I can see you," the voice said. "Walk backwards and go left."

I saw a door behind me on the left and carried my bags over to it. Above the door was a red light, which I stared at. Nothing happened. I was ready to cry. "Now what?" I yelled. Silence. I yelled again, even louder.

"What am I supposed to do?!"

"Calm down!" yelled a cheerful soldier walking by on an upper level above me. He was finishing a conversation on his walkie-talkie, and put up his hand for me to wait. I glared at him. "Go there," he pointed to another door near the one I was standing at, and began to walk away.

"No, please!" I blurted out, forgetting my policy of not pleading with soldiers. "You're the first human face I've seen and I'm starting to lose it."

He motioned towards the door and promised that if I stood there, the light would eventually turn green. I picked up my bags, approached the door, set them down, and waited. Eventually, the light turned green, this time accompanied by a little buzz that unlatched the full iron door. I expected to find a soldier on the other side, but as the heavy door slammed behind me I found myself in a tiny room with white walls, no windows, and a second iron door. That door eventually  buzzed as well, and I struggled to open it as I held my bags, settling to kick one in front of me instead.

The next room had three walls and a double-paned window with a soldier on the other side. The soldier asked for my ID and I slipped it under the glass. He tried to make small talk and asked me what part of the United States I was from. I told him flatly, "For the first time in my life, I want to blow something up."

He must not have heard me because he let me through to the next tiny windowless room. The next buzzing heavy door led out into the other open-spaced side of the terminal, where I picked up the pace, hoping to get out finally, an hour after I'd arrived. No such luck.

One more soldier behind a window beckoned for my passport again. "Where's your visa?" he asked, not finding the stamped slip of paper issued by Israel when the passport itself is not stamped. I answered truthfully, "They told me at the airport that there were none left and that it would be OK." As the words came out, I realized how absurd this sounded, and I kicked myself for falling for it when I'd flown in the week before. How could the airport run out of visa sheets? Wasn't it more likely that they were deliberately trying to inhibit my travel in the Occupied Territories?

It was hard to blame the soldier, since, for all he knew, I'd snuck in over the hills of Jordan. "Whatever," I sighed. "Call airport security—I promise I'm in the system."

I knew it would be a while, so I sat down again. I thought I was past the point of anger until I noticed a line of 25 or so Palestinians waiting outside to come in from the other direction, heading back to Tulkarem. Had they been waiting there all this time? Why weren't they being processed? I asked the guard holding my passport and he said he'd tend to them after I left.

It was one thing to feel frustrated and humiliated, but another to know that my ordeal had held up dozens of Palestinians from getting back to their homes and families. "Wait," I said. "Are you telling me that in your fancy new facility you can't process people coming in two directions? Don't let the problem with me delay these people any longer."

He told me not to worry, that the Palestinians were used to waiting. This made me even more upset. I insisted that I would rather wait longer myself, and eventually he beckoned the group forward. I marveled as they waited patiently and yet somehow not submissively, beacons of dignity next to my defeated and angry presence. I took out my camera and took a few photos. Within seconds, a guard appeared next to me—in person, nothing but air between us!—and said sternly, "Come with me."

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Richard W. Overfield is an artist/writer currently based in New Mexico after living in Vancouver, Canada for 20 years.His paintings are represented in over 300 public & private collections in the U.S., Canada, Switzerland, France, England, Japan & (more...)
 
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