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Held at Einab Junction: Inside Israel's New Terminals

By Anna Baltzer  Posted by Dick Overfield (about the submitter)       (Page 2 of 5 pages) Become a premium member to see this article and all articles as one long page.   1 comment

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"Excuse me!" the voice snapped.

"Yes," I answered as I took my first photo.

"Please put your camera away immediately!"

"Please let me in immediately," I answered.

"I said to wait," said the voice, and I answered, "And I am waiting."

The light above the turnstile turned from red to green and I put away my camera and picked up my bags to walk through. It was difficult squeezing into the tight rotating cage with all my bags, and by the time I'd made it to the other side, I was hot and cranky. In front of me was a metal detector surrounded by iron bars. I began to walk through but the voice called out from another speaker above:
"Stop!"

I continued through the metal detector and groaned, "What?!" into the air, wondering where he was watching me from.

"Go back and put down your bags."

I went back through the metal detector and set down my six bags, which were feeling heavier by the minute. I took the opportunity to take another picture. The soldier didn't bother protesting this time, but ordered me to walk through the metal detector again.

I tried to pick up my bags again but he ordered, "No, without your bags." I walked through. Nothing happened.

"Now, go back."

I closed my eyes with a sigh, walked back, picked up my six bags, and walked through again before he could give me the order to do so. Somehow this seemed so much worse than the turnstiles and metal detectors I had seen at Huwwara checkpoint. At least there you could see the people humiliating you. Or maybe it was more upsetting because I wasn't used to being the one humiliated.

Beyond the metal detector was another set of turnstiles, locked again. I took a deep breath and stared at the red light, hoping to see it turn green rather than let the guard hear my voice crack if I spoke. Thankfully, the turnstile buzzed and I squeezed through to reach the building itself. That was the end of the pre-screening. Now it was time for the real screening.

The inside of the building reminded me of an airport terminal—high ceilings and multiple floors, and multilingual signs for travelers. The ones here read, "Prepare documents for inspection" in Hebrew, Arabic, and English. The signs didn't clarify where one was supposed to go, however. There were a series of five doors with red lights on top, and I called out, "OK, my documents are ready... Now what?" I had yet to see a human face.

This time nobody answered, so I asked again. Again, nothing. I set my bags down, annoyed. My back was hurting, I was sweating, and I didn't know where I was or what was going to happen to me. I yelled, "Is anybody there?! Hellooooooo!"

Eventually a second staticky voice came through from a speaker on the wall. "Please proceed to the door."

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Richard W. Overfield is an artist/writer currently based in New Mexico after living in Vancouver, Canada for 20 years.His paintings are represented in over 300 public & private collections in the U.S., Canada, Switzerland, France, England, Japan & (more...)
 
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