Those are the central themes in "A Liar 's Tale, " the wonderfully inventive, thought-provoking first novel by Andre Coleman, who, as a journalist (the city reporter for the Pasadena Weekly), has dedicated his life to a search for the truth (one of many delicious ironies infusing this story).
The setting is modern-day America, whose rhythms of life and speech from the forbidding back alleys of homelessness and the claustrophobic confines of prison to the working class apartments of New York City and the oak-paneled courtrooms of justice Coleman apparently effortlessly captures with veracity and immediacy.
The central character is Scott Hampton, a young black man originally from an upper-middle-class family. His father is as hard and cold as the marble floors in their spacious home. His mother is warm and supportive, yet in the shadow of the father. His older brother, Kevin, is the apple of his parents ' eye, successful in all he does. And Scott, the chronic underachiever, has become a habitual liar (although there is more to the genesis of his prevarication, as we will learn).
Over the years, his father became a judge; his mother, a published professor; his brother, a professional football player; and Scott, an artist who didn 't want to suffer for his art. Living in New York City, as far away from his family as possible, Scott becomes a technician in a hospital (where there has been a series of "mercy killings " of elderly patients). Living in an apartment, he shares brotherly banter, laughs, and thought with "his boys, " Darius and Rich, and love with his long-suffering girlfriend, Dorene, who never knows when to believe her boyfriend: Scott is as uncommitted to the truth as he is to her.
At this point it is worth mentioning that Coleman has said: "I don 't write heroes and villains. Instead I try and write flawed people. " As with everything else in "A Liar 's Tale, " Coleman has created characters whose imperfections only heighten their reality.
Scott has tempted fate far too long, his words in effect playing God, by creating false, new identities and histories for people in his life every time he has gotten someone to believe that he couldn 't be at work because his brother was in the hospital, or he was worth sleeping with because he owned a Porsche, or he couldn 't turn in his school report because his dog ate his homework. The day of reckoning finally arrives.
In the course of a day, because of his lies, Scott loses his job, his girl, and almost everything he owns. "I was suffering, and I hated the suffering, " Scott laments, "It 's fate 's joke, and once fate finds a sucker it doesn 't let up and it keeps laughing at you even after you 've been defeated. "
Digging through what is left of his belongings, searching for his emergency cash to make his way, tail between his legs, back home, Scott comes across the mysterious incense. "Truth and lies, " he thinks to himself, as the incense ignites itself and fills the room with colorful smoke.
Scott arrives at the train station, but you can 't go home again. Rather, from this point onward, Scott embarks on a Kafkaesque adventure in a world turned upside-down, where every lie he has ever told that anyone has ever believed has come true, with profound, often disastrous consequences for all concerned. ( "It 's like throwing a rock in a pond and watching the ripples it creates. ")
Far be it from this reviewer to reveal the intrigues that threaten to overwhelm our increasingly enlightened and repentant central character; but suffice it to say that Coleman has crafted a marvelously creative, modern-day morality tale, involving the gain and loss of all the wealth and love one could hope to enjoy, solving a murder mystery created (appropriately enough) by deception within deception, and utterly dripping with irony (For example, at one point Scott is hooked up to a lie detector to prove that he truly believes that his lies have become true).
But at the core of the book is the conscience of Scott, asking questions of others or simply of the fates that each of us asks, often in the most trying times of our lives, but rarely have answered especially "Why does God let people suffer? " In the end, Scott concludes: "Suffering is the road to revelation. We travel on it to realize our dreams. When we lie to make the journey easier, we veer off the road. "
"A Liar 's Tale " is a road well worth traveling.