American Bombing Still Likely
"Go Tell It on the Mountain, From the Peaks of Qasioun!"
by FRANKLIN LAMB
Damascus.
At the height of the war scare here in early September, a group 9 primarily Sunni, Christian, and Alawite students and activists, led by a charismatic and agnostic pro-Hezbollah Lebanese Shia woman from Hermel in Lebanon's North Bekaa Valley, set up a Human Shields and Observers camp to protect the Syrian TV channels, radio and communication towers situated at the crest of Mount Qasioun which rises up 1,151 meters (3,776 ft) at its crest. The small community has the air of a sit-in as well as a teach-in. Within a few days, their numbers exceeded 200, and at weeks end the "Ala agsadona" ("over our dead bodies"), website was hosting thousands of visitors every day.
"We are prepared to take the first cruise missile with our bare chests," explained one young man, an architecture student at Syrian University, a relatively expensive private institution which offers majors in French, English, German, Italian and other western languages.
Mount Qasioun, transliterated from Jabal QÄ siy... n, is the high mountain that overlooks Damascus from the north, and many assume its communication towers would be among the first targets of American cruise missiles. Normally a popular tourist spot for hiking and rock climbing, the area is cherished by Syrians as a place of beauty and peace, where one can get away from life's pressures and enjoy the mountain's cool temperatures. Here one may also dine at a range of glass-fronted restaurants from which the whole city may be viewed in panorama--and as Damascus has expanded over the years, some districts have even been established on the foot of the mountain. Perhaps as a sign of the times, these days Qaisoun is also honeycombed with Syrian armed forces.
The special connection of Mount Qasioun and the people of Syria is perpetuated by oral and written histories signifying what the Mountain has meant to this region since prehistory. On the slopes of Jabal Qasiun, just above the "Ala agsadona" camp, is a cave, which, it is said, the first man, Adam, inhabited for a period. Historians have recorded a variety of stories about IbrÄ hÄ m (Abraham), and "Ä sÄ (Jesus) also having sheltered and prayed in it. Medieval Arab history books speak additionally of it as the site where QÄ bÄ l (Cain) killed HÄ bÄ l (Abel). Moreover, it has been known for hundreds of years as a place where prayers would immediately be accepted by God, and in Syrian history when a calamity threatened the people, and especially in times of drought, rulers of Damascus would climb to the cave and pray for safety and often for rainfall.
During these days of slaughter and the threats of US-led western bombing, the camp has come to symbolize Syrian resistance to foreign hegemony and occupation.
Sitting below "Adams cave," not far from the camp, this observer listened as some of these students and activists, many of whom have taken to sleeping on foam mattresses in or alongside tents, explained for me their involvement in the Human Shield project and their objectives. One is Alaa, a United States social history buff, who, to my great enjoyment, sang a resistance song she is writing, asking me my opinion. The song is adapted from the Afro-American spiritual classic, written by John Wesley Work, Jr. in the mid-19th century, with just a few changes to the lyrics:
"Go Tell It on the Mountain, From the Peaks of Qasioun and Everywhere;
Go Shout It out from Adam's Cave-- Where Syria's Blessed Resistance Was Born!"
Some of the most active and inspirational youngsters up at "Ala agsadona" camp are in their "adolescent" 60's and 70's. Many of them have lost loved ones during this God-awful continuing crisis. The camp is on high alert 24/7 given the threats against its dwellers from foreigner jihadist groups--given also that the mountain was targeted by mortars, as well as bombed by Israel, last spring. Several army check points minutely screen all traffic heading up its slopes. But despite the various threats, the attitude and general esprit inside "Ala agsadona" is one of resistance, pride and patriotism, not exclusively for the current regime, but intensely focused on Syria--its ten thousand-year history as the cradle of civilization and culture, as well as its centuries as the region's superpower.
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