As we continued to develop The Voice as a novel, over time Stone became intrigued and asked us to connect its esoteric background with the fact-based Afghanistan script. Now titled Three Nights of Desmond, we found ourselves merging the past, present, and future into a very different kind of story.
In writing the script, the antagonist (modeled after CBS Foreign News Editor Peter Larkin) emerged as a tragic archetype: an angry, wounded veteran who was determined to twist the Afghanistan story to get back at the Soviets for what he believed they had done to him in Vietnam. In The Voice, published in 2001, the character had matured as a victim of his own propaganda. Through that narrative the character of Alissa, as Paul's daughter, resolved the conflict between the "Larkin" character and Paul.
Even though Alissa had no involvement in our work, over the decades many of our Afghan contacts, that she had never met, continued to cross into her life as if by magic. The most powerful synchronicity occurred when she came to meet the real Peter Larkin through her friendship with his daughter Brett. We had known nothing about this friendship until December 23, 2011, when Peter and Brett arrived at our home for a holiday party at 7:00 pm as guests of Alissa.
Having the man who launched us into our Afghan saga join with us for our holiday party was beyond surreal. It was as if a dream had materialized before our eyes. The novelized encounter between Paul and Peter through Alissa (which had been foreshadowed in The Voice) had been delivered to us through our front door. The reality of the script we struggled to write for Stone had finally written itself. It was a revelatory moment produced by our daughters that completed a journey begun 30 years before between two competing storytellers.
CONCLUSION
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