NY Times' Umbrella Man Exposed

THE JACK AND JACKIE LOVE STORY

Not content with having Morris, who is no Kennedy expert, put out this misleading video on Umbrella Man, the Times earlier featured Morris's book review of Stephen King's novel imagining Lee Harvey Oswald. So now you have a man who knows little about the real story, getting people to read the imaginings of one who also knows little of the real story. Another way to look at this is that the New York Times is really, really interested in an occult novelist's take on the death of a president, but just totally uninterested itself in looking into that death.

You must read Errol Morris's review of King's book, and please explain to me what he is talking about, because I have no idea. One of the few things that registered at all from this confusing mess is a comment about Jack and Jackie:

King has said that he struggled with the idea for this book for more than 30 years. One can see why. In fiction, we can decide who did or did not kill Kennedy. Writer's choice (and King chooses). But he pays his debts to history in other ways -- by showing the machine and, at the same time, the simplest human knots, the love stories behind history: Sadie and George [characters in the novel], Jack and Jackie.

Um, "the love stories behind history"Jack and Jackie"?

This is part and parcel of the Times's approach: to maintain a feeble, People Magazine-like focus on the JFK-Jackie Camelot love story -- which never actually existed. Anyone who has read any of the books featuring interviews with close friends of the couple know that the marriage was a political match for the reticent JFK, never for a minute a fairy tale romance, and that by 1963 the duo could barely stand to be in each other's presence. If this is news to you, come out of your New York Times cave and read...practically anything else. (One worthwhile account -- including Jackie explicitly ignoring JFK's request that, for appearances' sake, the First Lady not take off to cruise on the yacht of the caddish Aristotle Onassis in the fall of 1963 -- can be found in Peter Evans's book, Nemesis. By the way, Onassis hated -- and I mean hated -- the Kennedys; RFK had blocked a big Onassis business deal years earlier.)

Or read in Family of Secrets how, since childhood, Jackie had been a friend of George de Mohrenschildt, the "father figure" to Lee Harvey Oswald, or how, the night after de Mohrenschildt's testimony to the Warren Commission, Oswald's best friend was invited to dinner at Jackie's mother's house, along with the Machiavellian intriguer Allen Dulles, whom JFK had fired as CIA director and whom Johnson so shockingly appointed to the Warren Commission investigating Kennedy's killing -- a man who surely is at the top of most people's lists of those behind the assassination.

If you appreciate these sorts of things, it is striking to learn that Onassis was a business partner in oil deals in the Caribbean prior to Castro's revolution, with...Oswald's best friend George de Mohrenschildt, and that Onassis' brother-in-law was the cover employer of CIA coup plotter Al Ulmer, who just happened to be visiting the Dallas area the week of Nov 22 1963 from abroad.

So, please, can we get past this "love story" pabulum and at least do just a teensy bit of investigating these odd and flagrantly suggestive connections? Maybe they're all odd coincidences, but at least they seem, intuitively, worth pursuing, at least as much as those  "delightfully weird" Neville Chamberlain umbrella stories.

The real danger of a video like the one about the Umbrella Man is that it encourages people to stop questioning, stop investigating. Just laugh it all off. There's no trouble here in the land of the free, the home of the brave. Nothing to see here, folks, move along, move along.

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It's time to stop treating the New York Times as the slightly daffy uncle who is hard of hearing. There's something more insidious going on, and every single person who works there and refuses to care bears some responsibility. Ditto with the rest of the media, which still takes this institution as its guide on what to cover -- and what not to uncover.