The job of a good documentarist is to weigh the available material and then present as honest a record of what it reveals as is possible. Anything less is at best polemic, if it sides with those who are silenced and weak, and at worst propaganda, if it sides with those who wield power.
Gibney's film treats Assange as if he and the US corporate-military behemoth were engaged in a simple game of cat and mouse, two players trying to outsmart each other. He offers little sense of the vast forces ranged against Assange and Wikileaks.
The Swedish allegations are viewed only insofar as they question Assange's moral character. No serious effort is made to highlight the enormous resources the US security state has been marshalling to shape public opinion, most notably through the media. The hate campaign against Assange, and the Swedish affair's role in stoking it, are ignored.
None of this is too surprising. Were Gibney to have highlighted Washington's efforts to demonize Assange it might have hinted to us, his audience, Gibney's own place in supporting this matrix of misinformation.
This is a shame because there is probably a good case to make that anyone who takes on the might of the modern surveillance and security empire the US has become must to some degree mirror its moral failings.
How is it possible to remain transparent, open, honest -- even sane -- when every electronic device you possess is probably bugged, when your every move is recorded, when your loved ones are under threat, when the best legal minds are plotting your downfall, when your words are distorted and spun by the media to turn you into an official enemy?
Assange is not alone in this plight. Bradley Manning, the source of Wikileaks' most important disclosures, necessarily lied to his superiors in the military and used subterfuge to get hold of the secret documents that revealed to us the horrors being unleashed in Iraq and Afghanistan in our names.
Since he was caught, he has faced torture in jail and is currently in the midst of a show trial.
Another of the great whistleblowers of the age, Edward Snowden, was no more honest with his employers, contractors for the US surveillance state, as he accumulated more and more incriminating evidence of the illegal spying operations undertaken by the National Security Agency and others.
Now he is holed up in a Russian airport trying to find an escape from permanent incarceration or death. Should he succeed, as he did earlier in fleeing Hong Kong, it will probably be because of secrecy and deceit.
This documentary could have been a fascinating study of the moral quandaries faced by whistleblowers in the age of the surveillance super-state. Instead Gibney chose the easy course and made a film that sides with the problem rather than the solution.
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