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We Can Defeat the Corporate Media's War to Snuff Out Independent Journalism

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Jonathan Cook
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Their newspaper provided an archive and library service so that they could easily research historical and newsworthy events in their region. There were local staff who could help with locating sources and offering translations. They had photographers who contributed visuals to their pieces. And they had satellite phones to file breaking news from remote locations.

None of this came cheap. A freelance journalist could never have afforded any of this kind of support.

All that changed with the new technology, which rapidly levelled the playing field. A Google search soon became more comprehensive than even the best newspaper library. Mobile phones made it easy to track down and speak to people who were potential sources for stories. Digital cameras, and then the same mobile phones, meant it was possible to visually record events without needing a photographer alongside you. And email meant it was easy to file copy from anywhere in the world, to anywhere, virtually free.

Documentary evidence

The independent journalism I and others were developing in the early Noughties was assisted by a new kind of political activist who was using similarly novel digital tools.

After I arrived in Nazareth, I had little use for the traditional "access journalism" my corporate colleagues chiefly relied on. Israeli politicians and military generals dissembled to protect Israel's image. Far more interesting to me were the young western activists who had begun embedding - before that term got corrupted by the behaviour of corporate journalists - in Palestinian communities.

Today we remember names like Rachel Corrie, Tom Hurndall, Brian Avery, Vittorio Arrigoni and many others for the fact that in the early Noughties they were either killed or wounded by Israeli soldiers. But they were part of a new movement of political activists and citizen journalists - many of them with the International Solidarity Movement - who were offering a different kind of access.

They used digital cameras to record and protest the Israeli army's abuses and war crimes from up close inside Palestinian communities - crimes that had previously had gone unrecorded for western audiences. They then sent their documentary evidence and their eye-witness accounts to journalists by email or published them on "alternative" websites. For independent journalists like me, their work was gold-dust. We could challenge Israel's implausible accounts with clear-cut evidence.

Sadly most corporate journalists paid little attention to the work of these activists. In any case, their role was quickly snuffed out. That was partly because Israel learnt that shooting a few of them served as a very effective deterrent, warning others to keep away.

But it was also because as technology became cheaper and more accessible - eventually ending up in mobile phones that everyone was expected to have - Palestinians could record their own suffering more immediately and without mediation.

Israel's dismissal of the early, grainy images of the abuse of Palestinians by soldiers and settlers - as "Pallywood" (Palestinian Hollywood) - became ever less plausible, even to its own supporters. Soon Palestinians were recording their mistreatment in high definition and posting it directly to YouTube.

Unreliable allies

There was a parallel evolution in journalism. For my first eight years in Nazareth, I struggled to make any kind of living by publishing online. Egyptian wages were far too low to support me in Israel, and most alternative websites lacked the budget to pay. For the first years I lived a spartan life and dug into savings from my former, well-paid job at the Guardian. During this period I also wrote a series of books because it was so difficult to find places to publish my news reporting.

It was in the late Noughties that Arab media in English, led by Al-Jazeera, really took off, with Arab states making the most of the new favourable conditions provided by the internet. These outlets flourished for a time by feeding the appetite among sections of the western public for more critical coverage of Israel-Palestine and of western foreign policy more generally. At the same time, Arab states exploited the revelations provided by dissident journalists to gain more leverage in Washington policymaking circles.

My time with Al-Ahram came to an abrupt end after a few years, as the paper grew less keen on running hard-hitting pieces that showed Israel as an apartheid state or that explained the nature of its settler colonial ideology. Rumours reached me that the Americans were leaning on the Egyptian government and its media to tone down the bad news about Israel.

It would be the first of several exits I had to make from these English-language Arab media outlets. As their western readership and visibility grew, they invariably attracted hostile attention from western governments and sooner or later capitulated. They were never more than fickle, unreliable allies to western dissidents.

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Jonathan Cook is a writer and journalist based in Nazareth, Israel. He is the 2011 winner of the Martha Gellhorn Special Prize for Journalism. His latest books are "Israel and the Clash of Civilisations: Iraq, Iran and the Plan to Remake the Middle East" (Pluto Press) and "Disappearing Palestine: (more...)
 

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