Sometimes, later on, I got to work in the main office down the Cape, and I can still hear the sound, at eleven every morning, of the big presses starting to roll on the other side of the building, starting off slow, and building quickly to a rumble and a roar as they took the copy I'd written an hour ago and thundered it into the day's newspaper.
God, the smell of newsprint was intoxicating! And now, fifty years on, my favorite writing program is called WriteMonkey, and I love it for two things -- it's plain black screen that holds only the words I type, like a page of newsprint copy paper, and the sound effect of old fashioned typewriter keys as I type.
But all that came later. In the beginning I was just the new kid. They gave me a desk in the back of the newsroom, with a big black Underwood typewriter. Paul explained how to write a news story, how to use the inverted pyramid style, and the basic questions a story had to answer: who, what, when, where, and why. He taught me what was news and what wasn't news, and how to write it. Paul was always calm, always professional. He was a gentle man, self-effacing but by no means weak or retiring. He knew how to dig a story out of a recalcitrant world.
Bob, the photographer, taught me the secrets of the old Forties-style Graflex Graphic cameras with focal plane shutters, those with the big flash attachment. He showed me how to slide the plates into the back, plates that held two pieces of film. I'd take a picture, then have to flip the plate to get the other film in place. He showed me how to develop film in the basement darkroom and how to make prints. He taught me what made a good picture, and what made a poor picture.
After a while they sent me out on some assignments that weren't for the high school news. Take a picture of a meeting. Get information on some little story. And come summer they hired me as a full-time staff writer for the summer. The real deal. One of the best moments came when Bill called me in to his office about a short business story I'd written. It was only a few paragraphs. "First rate,' he said, handing me the piece he'd cut from the news page.
My last summer I started writing a feature a week for the Sunday paper. Long pieces. With my byline identifying me as a Staff Writer. But I knew better: I was a reporter.
I learned to write in that little office downtown. I learned to write fast, to deadline. I learned to write clean copy that got to the point. I learned to think a story through as I wrote it: there wasn't time to agonize over words and phrases. The clock was ticking. The main office would roll that big press at eleven in the morning, no matter what.
I learned other things too. Bill died of a massive heart attack a few years later. He was 39. Bob took a job in upstate New York. The office moved, got modernized. The paper changed its name. All that happened after I left the paper, about a year after high school, after I had worked for about a year down Cape as a full time staffer.
I never worked as a reporter again after that last stint: I was too restless, had too many paths to run. Paul, the guy who taught me how to write, how to write news, moved up to the main office in Hyannis and stayed with the paper for his whole career. A few years ago I ran into Paul again. He was at the local supermarket, bagging groceries for minimum wage. Trying to make ends meet, he told me.
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