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Black and Blonde

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Linh Dinh
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One of the earliest German hip hop albums was called "Krauts with Attitude," a clear nod to N.W.A., "Niggers with Attitude." N.W.A. has become very mainstream, of course, as attested by the 2015 release of Straight out of Compton. Around Leipzig, I now see stickers and posters of seven masked German militants, under the heading "STRAIGHT OUT OF CONNEWITZ."

With their hatred of the state, nation and law and order, German leftist radicals see American ghetto blacks, as portrayed in movies, music videos and newscasts, as kindred spirits. Of course, they have no familiarity with ordinary black folks who go to work and church, and cherish quite traditional values. Seeing blacks rioting in American cities, these Germans cheer and look forward to doing the same. Hating not just the worst aspects of civilization, but nearly all of it, they just want to tear everything down, for Utopia, you see, is just beyond the blood red horizon.

In Berlin, there's a graffiti of a black man pointing a gun, "HANDS UP."

In Leipzig, there's a painted silhouette of a man hovering over an upturned skateboard, with a balloon tied to his wrist, "KILL COPS."

In Leipzig, one end of a bench has, "NO BRAIN." The other end, "HATE COPS."

All of the anti-cop graffiti I've seen in Germany are written in English, by the way. This is only appropriate since many of these radicals' firmest and most up-to-date beliefs have also been imported from the USA. Even the slogans are often the same, i.e., "NO MAN IS ILLEGAL." Believing themselves so progressive, they're actually just puppets of the empire. No Arminiuses, they're bit players in Rome's master scheme. Media masturbated, they're preparing their own kind for rape.

(Article changed on January 3, 2016 at 14:52)

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Linh Dinh's Postcards from the End of America has just been published by Seven Stories Press. Tracking our deteriorating socialscape, he maintains a photo blog.


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