The morning of August 8, hundreds of riot police moved in, bulldozers toppled their fence & outdoor platform, and cranes smashed their home's windows. Forty-five armed police searched the house and found that MOVE was barricaded in the basement. Police began to flood them out with high-pressure hoses.
Suddenly gunshots fired, likely from a house across the street. Police opened fire on MOVE’s house—using over 2,000 rounds of ammunition. The police and most of the mainstream media would later report that MOVE had fired these first shots. However, KYW Radio reporters John McCullough and Larry Rosen both recalled hearing the first shot come from a house diagonally across the street, where they saw an arm holding a gun out of a third floor window.
The subsequent gunfire was chaotic and mostly directed at the flooded basement. Officer James Ramp was fatally wounded in the melee. Three other policemen and several firemen were also hit. A stake-out officer admitted later, under oath, that he had emptied his carbine shooting into the basement, where he heard screaming women and crying children. At a staff meeting days later, a police captain noted “an excessive amount of unnecessary firing on the part of police personnel when there were no targets per se to shoot at.”
When MOVE eventually surrendered and came out of the house, their children were taken and the adults were viciously beaten. Chuck and Mike Africa had been shot in the basement. Live television documented the violent arrest of Delbert Africa. He was smashed in the head with a rifle butt and metal helmet. While on the ground, he was brutally stomped. Twelve MOVE adults were arrested.
At a press conference that afternoon, asked whether this was the last Philadelphia would see of MOVE, Rizzo proclaimed “the only way we’re going to end them is, get that death penalty back, put them in the electric chair, and I’ll pull the switch.”
Destruction of Evidence
The subsequent case against the “MOVE 9,” was plagued by factual inconsistencies and illegal police manipulation of evidence.
Temple University professor and Philadelphia journalist Linn Washington covered the August 8 confrontation and the trial of the MOVE 9. Interviewed in the recent documentary MOVE, narrated by Howard Zinn, Washington stated that “the police department knows who killed Officer Ramp. It was another police officer, who inadvertently shot the guy. They have fairly substantial evidence that it was a mistake, but again they’ll never admit it. I got this from a number of different sources in the police department, including sources on the SWAT team and sources in ballistics.”
Manipulation of evidence began immediately after the MOVE adults were arrested: Mayor Rizzo ordered the police to bulldoze MOVE’s home by 1:30pm that day. Police did nothing to preserve the crime scene, inscribe chalk marks, or measure ballistics angles. In a preliminary hearing on a Motion to Dismiss, MOVE unsuccessfully argued that destroying their home had prevented them from proving that it was physically impossible for MOVE to have shot Ramp. MOVE cited the case of Illinois Black Panthers Fred Hampton and Mark Clark where the preservation of the crime scene enabled investigators to prove that all the bullet holes in the walls and doors were the result of police gunfire.
The photographic evidence presented in court was also incomplete. Before demolishing MOVE’s house, police did take photos of empty shelves and claimed they had been used to store their guns. However, there were no photos of MOVE pointing or shooting guns from the basement windows, of police removing weapons from the house, or supporting the claim that police removed guns from the mud of the basement floor. To the contrary, a police video viewed in court actually shows then police commissioner Joseph O’Neill passing guns into MOVE’s front basement window.
Strongly suggesting the deliberate destruction of evidence, police video footage was also blanked out at the point where Ramp was shot on all three police videotapes presented in court.
Ballistics evidence presented about Officer Ramp’s death is also inconsistent. In the documentary film MOVE, Linn Washington recalls the treatment of evidence at the trial. “They had a big problem with the authenticity and thus the validity of the medical examiner’s report. The prosecutor took out a pencil and erased items in the report that he didn’t like. Now MOVE was objecting and the judge was saying ‘sit down and shut up’ and allowed the guy to do that.”
On Aug.8, The Philadelphia Bulletin reported that Ramp had been “shot in the back of the head according to the police log.” The next day, the Daily News instead reported that the bullet head entered his throat at a downward trajectory in the direction towards his heart. Later, in court, the prosecution’s medical examiner, Dr. Marvin Aronson testified that the bullet entered his “chest from in front and coursed horizontally without deviation up or down.”
In their recent newsletter, MOVE argues that if they had shot from the basement, the bullet would have been coming at an “upward” trajectory instead of the “horizontal” and “downward” accounts that had been presented. This crucial point aside, it would have been essentially impossible to take a clean shot at that time. The water in the basement, estimated more than 7 feet deep, forced the adults to hold up children and animals to prevent them from drowning. “The water pressure was so powerful it was picking up 6 foot long railroad ties (beams that were part of our fence) and throwing them through the basement windows in on us. There’s no way anybody could have stood up against this type of water pressure, debris, and shoot a gun, or aim to kill somebody.”
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