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Neurofeedback Tunes the Brain for Better Singing and Performing

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Erica Rosenberg
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In 2001 Tattenbaum supported her five-part program with a scientific study, analyzing voices using coaches and digital recordings of opera singers' voices in an acoustic lab. The study, while small, found noticeable improvements in the singers' voices and performances who used Tattenbaum's program, compared to controls. "The voices were richer and more resonant, and they weren't fatigued or wiped out," said Nancy Anderson one of the vocal coaches. "It allows singers to combine their ability to move with voice, drama and acting."

Tattenbaum's work hasn't always been easy. The research substantiating the success seen by hundreds of voice teachers and performers is just beginning. Neurofeedback is a changing field of many viewpoints regarding the complicated brain. Unfortunately, some practitioners are barely trained with a mere 3-day course. Tattenbaum was certified by The Biofeedback Institute of America, which requires a health care degree, 36-hour neurofeedback course, anatomy course, and 145 hours of mentor-guided training.

Despite these challenges, the successes of professional performers are helping Tattenbaum's practice grow. "Many performers lose their edge, and I've been here 35 years and I'm doing some of my peak work," said John Cheek. In his recent performance of "La Grand Duchess" for the LA Opera, Cheek faced dual challenges of acting out a strutting, overbearing general and being flexible for the comedy's spontaneous laughter.

He worked with Tattenbaum before the performance. "Peak performance training allows me to be in the moment and be consistent. I'm more present and relaxed onstage and during rehearsals, when I have to take all the critiques and put them together without becoming overloaded." Graczyk's voice fills the room as she longingly begins "Must the Winter Come So Soon," looking out toward falling leaves outside Tattenbaum's window. Isolated and emotional, her character fills the room, like a cold draft through a cracked door. A cell phone rings-- but the music doesn't stop. Graczyk has already quieted her noise, and this one doesn't phase her.

Rae Tattenbaum will be doing a two day training on her techniques, January 17-18, 2007 at the Futurehealth Winter Brain Meeting in Palm Springs CA. The Secret Weapon: The Mind; Empowering Achievement-Oriented Clients with a Five Step Program for Optimal Performance

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Erica Rosenberg wrote this article while attending the graduate journalism program at Columbia University. She received her M.S. in journalism there in 2005.

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Neurofeedback Tunes the Brain for Better Singing and Performing

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