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OpEdNews Op Eds    H1'ed 10/17/17

2 or 3 Things I Know About Capitalism (with apologies to Jean-Luc Godard)

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Phil Rockstroh
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In the presence of Trump's debased mind and tombified carcass, one is privy to arias of rot. While Hillary Clinton's monotonous tempo was the dirge of a taxidermist -- cold, desiccated of heart, and devoid of life's numinous spark -- Trump's voice carries the depraved cacophony of a Ce'linean fool's parade " its trajectory trudging towards the end of empire.

As liberals new BFFL (Best Friend for Life) George W. Bush might ask, "Is our liberals learning."

In a word, no. For example, the collective psyche of U.S. culture as been enflamed by the revelations that actresses were coerced into sexual encounters with a movie mogul whose power in the industry was only matched, even enhanced, by his sadistic nature. The staff of his company assisted, was complicit in, or remained silent about his lechery, as did the whole of the movie industry and the entertainment press. All as NFL athletes are being threatened with expulsion from the League if they kneel during the national anthem.

Yet the great unspoken remains: The enabling of and submission to the degradation, exploitation and tyranny, and the lack of resistance thereof share a common and singular factor: The careerism of all concerned. The cultural milieu concomitant to capitalism is at the rotten root and noxious blossoming of the situation.

Jean-Luc Godard's 1967 cinematic barnburner "Two or Three Things I Know About Her" should be required viewing for those unaware or in denial of the acuity of the film's theme i.e., becoming enmeshed within the psychical landscape of dominance, degradation, and submission inherent to and inseparable from capitalist/consumer culture will cause one to become party to societal sanctioned prostitution. When life is negotiated within a collective value system that devalues and deadens the individual's inner life thus warps every human transaction, anomie descends, the worst among a people ascend to positions of power.

"Panic is the sudden realization that everything around you is alive." -- William S. Burroughs, from Ghost of Chance

When friends visited me in New York, where I lived for decades, I would take them on walking tours through the city. We would cross the Westside Highway and stroll the pedestrian walk along the Hudson River, or cross the East River by walking across the Brooklyn Bridge. The effect of these excursions on people was often profound " the combined elements of the elemental beauty of the rivers and vastness of the city's architecture and scope, clamor, and the dense interweaving of traditional ethnic customs and ad hoc social codes of New Yorkers often would heighten the visitors' senses and open them to larger, more intricate awareness of themselves and extant reality " the freeways of the contemporary mind (conditioned to be constantly engaged in manic motion, with one's mind either frenzied by an obsession with performing (ultimately futile) maneuvers directed to saving time -- or stalled at a frustration inducing standstill) were replaced by the exigencies of life at street level, i.e., novel situations that had to be apprehended and negotiated.

The possibilities of life seemed greater. The crimped eros of insular suburban thought became loosened before the city's intricacies and expansiveness. Although: Not all, or even a scant few, New Yorkers can maintain the state of being. Few of us can live by Rilke's resolve to "make every moment holy." Life, in the city, becomes grotesquely distorted " High rents, inflicted by hyper-gentrification, in combination with the deification of success and its cult of careerism overwhelm one's psyche " There is so far to fall.

Angst (the word originally can be traced to the ancient Greek deity Ananke, the immovable by prayer and offering b*tch Goddess of Necessity and the root word of anxiety) clamps down one's sense of awareness. Ananke dominates the lives of the non-privileged citizenry while Narcissus, Trump's, the Clintons', et.al. and their financial and cultural elitists' patron God rules the day. The pantheon of possibility has been decimated, a cultural cleansing has been perpetrated, by the egoist caprice of the beneficiaries of the late capitalist dictatorship of money.

Hence, we arrive at the primal wisdom tacitly conveyed by anxiety-borne states of fight or flight. Due to the reality that capitalism, on both an individual and collective basis, drives individuals into madness, all as the system destroys forest and field, ocean and sea and the soul-scape of all who live under its rapacious dominion, our plight comes down to this: We either struggle and strive, by and any and all means, to end the system -- or it will end us.

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Phil Rockstroh is a poet, lyricist and philosopher bard living in New York City. He may be contacted at Facebook: https://www.facebook.com/phil.rockstroh

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