The decisive factor in next week’s election — and the reason for Benjamin Netanyahu’s durability — is a repressed memory.
When trying to understand Israel’s election on Sept. 17, the second in the space of six months, you can easily get lost in the details — corruption charges, coalition wrangling, bickering between left and right. But the best explainer might be a small film that you’re unlikely to see about something that people here prefer not to discuss.
The opening scene of “Born in Jerusalem and Still Alive,” which just won the prize for best first feature at the Jerusalem Film Festival, catches the main character grimacing as he overhears a glib tour guide. When she describes downtown Jerusalem to her group as “beautiful,” the “center of night life and food for the young generation,” Ronen, an earnest man in his late 30s, interrupts.