“Factory manufacture,” he writes, “robs us of a special something: contemplation.” He’s not talking about the big questions of human existence, but of the hundreds of small ones that go into something as simple — or as complex — as building a stone wall: “Which to use? How to work it? Where to strike it?” In the end, this is the case he makes for craeft. At a time where our disconnection from the world around us is not just tragic but downright dangerous, recovering our status as Homo faber, the species that makes things, may be our salvation.