Idelle Weber is a greatly-talented artist whose early career coincided in time with the re-emergence of radical protest in America in the 1960’s and the 1970’s. During that time, Weber presented subjects derived from the world around her, and some of these depicted men and women trapped in the architecture of New York City, in jobs leading nowhere. There follow four examples of this aspect of her art from 1971 and 1964:
Munchkins Tryptich (1964)
And 
Bishop's Businessmen Mitre (1971)
And 
Stock City Collage (1964)
And 
Stepsisters (1964)
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(Courtesy of the artist and of artnet’s Artist Works Catalogues. To access Artist Works Catalogues, click here.)
