Life Arts

Four John Baeder L.A. Taco Trucks, and Five Baeder L.A. Diners (in Three Images)

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(Written in 1977.) "John Baeder's paintings seem to me to differ from most of those of his brilliant Magic-Realist contemporaries in that they are gentle, lyrical and deeply in love with their subjects. Most of the painters of the contemporary Pop scene blow our minds with massive disjunctions, explosive changes of scale, and special kinds of winkless visual focus. Baeder does not employ any of those devices. He sees everything as its own size in its proper environment. His diners fit into their urban context like modest folk heroes"..

"We can thank our luck that human life and art constantly escape the models we construct for them. My generation excluded the vulgar Pop world"including that of the Diner, from our consideration and, by precept, from that of our children - who then grew up and took (the Diner) over and wove fantasies into it and humanized it and made it art.

"That is what Baeder has done. He is entirely at home in his world, and he irradiates it with the light of his intelligence and with what comes through as the sweetness of his soul. -- Vincent Scully (Professor of Fine Art at YaleUniversity, b.1940), printed as the Introduction to DINERS, by John Baeder (New York: Harry N. Abrams, 1978)"

Professor Scully could say the same about Baeder's watercolors of L.A. food trucks, thirty years later. And maybe he has! (All seven of the following images are pictures of watercolor paintings on paper.)*

First, four John Baeder L.A. taco trucks:

La Mexicanita (2003)

Tacos Oaxaca (2002)

North Lankersham Tacos (2002)

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Pepe's (2003)

And second, three Baeder L.A. other-than-taco food truck photos:

9th Street Seafood Diner (2003)

Diner's Club Trio (2003)

Erika's Hot Food Center (2003)

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John Baeder, on April 26, 2008

*All the images and the words in quotation marks are courtesy of Artnet's Artist Works Catalogues. See here, where it says: "This body of Modern and Contemporary artists' sites brings insight into the depth and scope of extraordinary artists' oeuvres, and it serves as a research tool for students, faculty, museum curators, researchers, dealers and collectors.

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I have a law degree (Stanford, 66') but have never practiced. Instead, from 1967 through 1977, I tried to contribute to the revolution in America. As unsuccessful as everyone else over that decade, in 1978 I went to work for the U.S. Forest (more...)

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[[Taco]]...Just a caution...From a former restitut... by Allan Wayne on Wednesday, Dec 9, 2009 at 8:34:40 PM
........?... by GLloyd Rowsey on Saturday, Dec 12, 2009 at 8:14:58 AM


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