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April 2, 2017

"Death" -- a poem

By Gary Lindorff

Contemplating death, at 66: the difference between life and death grows thinner.

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Sunstones
Sunstones
(Image by J McSporran)
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Death

No matter how it comes up,
it comes up,
in, through. . .
It isn't like anything else
but, as it takes more
and more of the people of my life
and the edges of my memories
it begins to feel more like life
than when life was everything.
It used to be like a ghost or a far off war
or a feeling I couldn't trace
or own
like the memory of a song
about a place in a country in a book
about a movie in a dream.
No more.

Comments:

More and more people have crossed in my life. Many more are crossing. In the meantime, I find that being 66 is a good time to contemplate the in-between. Not that I am halfway through life. Quite the contrary, if I imagine life as a hill or small mountain, I have summited and am looking out across the landscape that includes all the directions in the round. This is the "still moment" that T. S. Eliot talked about, that is neither movement away nor toward, the moment of neither coming nor going, but of gathering and letting go at the same time. It's like in yoga when you realize you aren't breathing on your own anymore, but you are being breathed. Death is not the enemy, and death is certainly not no-life. As death gathers more and more life to itself the difference between life and death grows thinner and thinner, and what they say in the East becomes more real, about how life is illusion, a big Dream. Life is not "life" and death is not "death". Not a bad place to arrive. By not clinging to life or siding with life, I feel more alive than ever!



Authors Website: https://garylindorff.wordpress.com

Authors Bio:

Gary Lindorff is a poet, writer, blogger and author of five nonfiction books, three collections of poetry, "Children to the Mountain", "The Last recurrent Dream" (Two Plum Press), "Conversations with Poetry (coauthored with Tom Cowan), and a memoir, "Finding Myself in Time: Facing the Music". Lindorff calls himself an activist poet, channeling his activism through poetic voice. He also writes with other voices in other poetic styles: ecstatic, experimental and performance and a new genre, sand-blasted poems where he randomly picks sentence fragments from books drawn from his library, lists them, divides them into stanzas and looks for patterns. Sand-blasted poems are meant to be performed aloud with musical accompaniment.


He is a practicing dream worker(with a strong, Jungian background) and a shamanic practitioner. His shamanic work is continually deepening his partnership with the land. This work can assume many forms, solo and communal, among them: prayer, vision questing, ritual sweating, and sharing stories by the fire. He is a born-pacifist and attempts to walk the path of non-violence believing that no war is necessary or inevitable.



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