CLAUDIUS (to Rosencrantz and Guildenstern) So you've gotten nothing from the prince as to why he's acting the way he is?
ROSENCRANTZ He confesses feeling distracted and troubled--but the exact cause? He will not say.
GUILDENSTERN He evades any deep discussion with jokes and questions to questions.
GERTRUDE But he did welcome you, he was genuinely pleased to see you, was he not?
ROSENCRANTZ Yes, he was your majesty.
GUILDENSTERN It appeared to take some effort to shift his disposition, but then we got along just as we have in the past.
GERTRUDE And what are your plans to entertain him? I want him distracted from his distraction.
ROSENCRANTZ As it turns out Madam, we happened upon some players--
POLONIUS That is correct, and I was to inform your majesty shortly: a troupe of actors have paid visit, and the prince has commissioned them to perform this evening. He would like the King and Queen to attend.
CLAUDIUS Excellent.
GERTRUDE This pleases me too. Dear Rosencrantz and Guildenstern go to him again now, and let him know we are pleased, and that we will be in attendance tonight.
(Rosencrantz and Guildenstern bow and exit.)
GERTRUDE (CONT'D) Now, as to the plan to better understand the disposition of the prince--Ophelia--I do hope your beauty is the true cause of his wildness. And in which case, I pray your charms can calm him and restore both your honors.
As a young man who has changed his viewpoints significantly over the past year, going through a rather extensive transformation, I feel a strong connection to our tragic protagonist.
Parents and friends grow concerned. "Why does he choose to speak in such riddled verse? Is it drugs or insanity? Maybe he just needs a girlfriend." Perhaps it is because prose becomes utterly insufficient in conveying meaning and emotion.
But must the outcome always be so tragic? Can justice be served, Ophelia spared, and Hamlet's love fulfilled? Or are these mutually exclusive events? Must so much be sacrificied in the name of righteousness? What if Hamlet could forgive? Would the ghost allow it?
by
Ferdinand (17 articles, 4 quicklinks, 24 diaries, 198 comments)
on Wednesday, May 14, 2008 at 4:32:58 PM
i initially had overlooked that the end of the scene ought to have ophelia left on stage alone with her thoughts. i had thought: how clunky to have her express her thoughts with hamlet gone and cladius and polonius still behind the tapestry. then it occured to me--duh: have him leave, the other two leave, and then her thoughts....
thanks again.
by
john de herrera (34 articles, 0 quicklinks, 2 diaries, 148 comments)
on Wednesday, May 14, 2008 at 5:19:15 PM
2 comments
How would you rate this?
You must be logged in (if signed up) to do ratings.
It's free to signup! And easy. And takes just a minute or two....