What's particularly nauseating about today's America is that so many white people continue to be racist, but deny it. You've met these people yourself. They include your right-wing brother-in-law who rails against "lazy blacks collecting welfare" while you're trying to enjoy your Thanksgiving meal.
These are the people who bizarrely believe white people are somehow the victims of racism these days. They also believe that no black person was ever mistreated in America after 1865.
I know a number of these people. They all listen to Rush Limbaugh's racist spewings. And yet they deny that Rush is racist in any way. Indeed, these are people who privately and routinely use the "N" word (and then publicly declare that they're not racist).
I have nothing but contempt for such people. In fact, I actually have more respect for old-school bigots who were at least upfront about their racism. I'd actually prefer a racist who is at least honest enough to openly use the "N" word and express his hatred for black people. I'll take a bigot like that any day over a typical Limbaugh listener who carefully dances around the "N" word and then denies his racism.
Slavery was a horrific crime. It is not something that America should be using as a topic for mere entertainment in another of Tarantino's overrated films.
It's a sad commentary on just how abysmal the art of cinema is these days that a mediocrity like Tarantino gets the time of day. And yet critics line up to kiss Tarantino's ass. They over-analyze and over-intellectualize his films. They read a great deal of Deep Meaning into his movies. But Tarantino doesn't deserve such critical devotion.
For example, consider all the critical commentary and analysis that has been prompted by Tarantino's heavy usage of the "N" word in all of his movies. Actually, there's no mystery to Tarantino's love of the "N" word. It's nothing more than a crutch to prop up his overrated, weak scripts. The fact is, the "F" word no longer packs a punch, because of over-usage. But the "N" word still does pack a punch. It's still "controversial."
Anyone who thinks there's any Deeper Meaning to Tarantino's heavy usage of the "N" word is kidding themselves.
Critics also constantly praise Tarantino for being a "daring" and "risk-taking" director. But this is nonsense. There is absolutely nothing daring and risk-taking about Tarantino. True risk-taking directors don't enjoy movies that have blockbuster worldwide box office of over $300 million (like Tarantino's last film, Inglourious Basterds did).
Speaking of Inglourious Basterds, that film revealed just how full of crap those who champion Tarantino as a risky, daring director are.
If Tarantino were really a brave director wanting to make a war movie, he would have tackled the Iraq War. That whole evil, rotten enterprise would have been a perfect target for any director who wanted to make an edgy, risky film.
In taking on the Iraq War, Tarantino could have poked a finger in the eye of the whole jingoistic Fox News/NeoCon crowd who cheered the nation into war and who ferociously attacked anyone who dared question their beloved Commander-in-Chief. (We saw a glimpse of the latter when the Dixie Chicks made what was actually a very mild criticism of George W. Bush and received an avalanche of NeoCon hatred and death threats as a result).
Yes, the Iraq War would have been a logical target for any U.S. film director who wanted to make an edgy, brave, risky statement. So which war did Tarantino target in his movie? World War II.
Like there haven't already been enough films about World War II.
Of course, with Django Unchained, Tarantino is simply following in the footsteps of other Hollywood directors who have a shameful track record of films set in the slavery era.