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Moore
and More is Needed; What to Do, What to Read AFTER You've Seen the Movie
Fahrenheit 9/11
By
David Swanson
OpEdNews.com
Fahrenheit 9-11 reminds
me of Howard Dean. Both were
wildly promoted by the media in a manner not carefully thought through by
media bigwigs, and then both were savaged by the media just before opening
day.
The size of the audiences
seeing this movie was guaranteed by the media hype, and the notion that
the audiences consist mainly of liberal activists is disproved by the size
of them. More people have
already seen this movie than subscribe to progressive magazines or
participate in political primary MeetUps.
The question is what will happen in the heads of people who had
never heard any of this stuff before.
What if you had never
been told that
U.S.
soldiers come from poor families, that
U.S.
presidents launch wars for corporate profits, or that governments use fear
to manipulate people? Will
two hours be enough to get you thinking like this movie?
Or will you have to go back and read all the books that I had to
read before I thought this way? Will
your reaction be a troubled uncertainty that you are able to maintain or
will you be immediately converted? Or
will you steadfastly resist the notion that your television has been lying
to you all of these years? "They
wouldn't lie to me," sings Willie Nelson.
"Not on my own damn TV."
One Republican who was
taken to see Fahrenheit by a friend told me she had never known any of
these things before, especially that Bush had connections to the Bin
Ladens. She clearly was
unsure whether to believe it all. And
in the face of it she was still able to think of Bush as a good president.
But she was overflowing with questions.
A Republican Floridian
quoted by the New York Times said: "Oh my goodness, I cried.
I'm still trying to process everything. It really makes me question
what I feel about the president. I'm still going to respect him as our
president, but it makes me question his motives. Of course, I think that's
the whole point of the film, to question his motives. But after watching
it, I do question my loyalty to the president. And that's scary for
me."
According to the San
Francisco Chronicle, one viewer "said he
was an independent who had not decided how to vote in November. He said,
however, that a section of the film showing
U.S.
troops in
Iraq
speaking out against the war had a strong effect on him.
'That
really hit me,' he said. 'That did tilt me toward the Democrats.'"
According to every
corporate newspaper I've seen, the fact that people could be so shocked by
the revelation of such recent and important events indicated absolutely
nothing about the performance of the media worth commenting on.
Where I saw the movie on
Saturday in D.C., the audience cheered and laughed at various points, but
most people walked out looking glum and not talking to each other, at
least not at first. My own
reaction was complete agreement with the movie – something I had not
found with Bowling for Columbine. But
I wished, although I saw problems with it, that the movie had included a
successful popular fight for change and a call to action.
On second thought I revised my wish: I now wish the movie had
closed with a recommended reading list.
Such
a list might begin with
Moore
's own recent books, in which most of the themes of the film can be found.
It might then include books that look at a longer period of history
from a perspective that recognizes class struggle, books like "A
People's History of the
United States
" by Howard Zinn, and "Labor's Untold Story" by Richard
Boyer and Herbert Morais.
Then
a sampling of the extensive anti-Bush literature might be in order,
including books by Molly Ivins and Lou Dubose (who warned us about all of
Bush's traits before he wasn't elected), and books by David Corn, Al
Franken, Jim Hightower, Peter Singer, Kevin Phillips, Richard Clarke,
Laura Flanders, and especially these two books: "The Five Biggest
Lies Bush Told Us About Iraq" by Christopher Scheer, Robert Scheer,
and Lakshmi Chaudhry, and "Warrior King: the Case for Impeaching
George W. Bush" by John Bonifaz with a forward by Congressman John
Conyers.
Finally,
some understanding of the media might be needed.
A good place to start might be "Corporate Media and the Threat
to Democracy" by Robert McChesney.
And a bit of activism is indispensable.
Perhaps "The Activist's Handbook" by Randy Shaw would be
a good place to start.
At this point, even the
most reflexively Republican moviegoer would be ready to read the media's
(excuse me, the LIBERAL media's) commentary on
Moore
's movie. While
Moore
failed to make the media's failures a sufficiently large part of his
focus, he has managed to generate stellar examples of irresponsible
reporting.
The USA Today and Gannett
have put out an article that reads: "In
Moore
's voice-over narration about Bush's three-year record, the president is
depicted as clueless and deceitful. He is so in thrall to Bush family
business ties with the clan of Osama Bin Laden and other wealthy Saudis
that he misdirects American reprisals for the 2001 terror attacks from
Saudi financiers of terrorism to
Iraq
's Saddam Hussein. Hoarding military resources for a long-intended war
with
Iraq
, he botches the
Afghanistan
hunt for bin Laden. He has lost the confidence of
U.S.
troops. These are incendiary
assertions. Some will believe them. Others will find them nakedly
partisan."
The USA Today, however,
will not expend a single syllable investigating whether they are true or
not. Instead, it will
encourage readers to think of the film as "partisan" and "unobjective"
by pretending to report on viewers' reactions.
The Christian Science
Monitor accuses
Moore
of lies and half-truths but fails to cite a single example of either.
The Macon (
Georgia
) Telegraph accuses
Moore
of oversimplification, but produces not a single example -- other than its
own article which surely sets the standard.
Bill O'Reilly claims:
"The 9/11 commission findings clashed with Moore's thesis that the
Bushies had done something dastardly immediately after the attack by
letting a bunch of Saudis, including members of the Bin Laden family, fly
out of the U.S.A. while everybody else was grounded."
He does not elaborate. Is
he claiming that Bush did not do this or that it was not dastardly?
Neither claim would be the least bit credible, but the confused
mixing of the two almost sounds as if O'Reilly is saying something.
The
New
Republic
, meanwhile (apparently still suffering from the Stephen Glass episode),
accuses
Moore
of unsupported accusations. To
back this up, the article cites
Moore
's contention that an oil pipeline was part of Bush's motivation to attack
Afghanistan
. Yet the
New
Republic
offers not one word of argument against this point.
Instead, it goes on to bizarrely accuse
Moore
of dishonesty because he makes both the point that the war on
Iraq
is unjust and the point that our soldiers are recruited from poor
families. Of course
Moore
made more than just these two points, and if the
New
Republic
had picked up on any of the others, who knows how dishonest they might
have thought him! I encourage
them and all Americans to watch the film more than once and to follow up
at their library, assuming it hasn't been shut down and you don't mind
having Ashcroft know what you're reading.
I then encourage you to register all of your neighbors to vote, and
to ask John Kerry to oppose the war.
The election is on November 2nd.
Mark it on your calendar!
David Swanson's website
is www.davidswanson.org.
The opinions expressed are his alone unless you share them.
editor's note.
Also consider
-signing up for the www.moveon.org
mailing list,
-read Thom Hartmann's We
the People: A Call to Take Back America -and Greg
Palast's The
Best Democracy Money Can Buy: The Truth About Corporate Cons,
Globalization and High-Finance Fraudsters
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