Semper Fi: Walking past the buildings of GCSU...a Marine Recruitment booth was spotted...Within two hours a cloak was donated, a scythe fabricated and the Grim Reaper began a conversation with the young recruiter. Grim Reaper: "Good morning." Marine Recruiter: "I wish my buddies were here..."

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Campus War Protest: Grim Reaper Recruits With Marines in GA. 09/20/2007 Georgia College & State University, Milledgeville, GA, USA http://billfisher.dreamhost.com/reaper.html Photos by Emily Gomez and Art Against Empire http://billfisher.dreamhost.com/nohate.html Semper Fi: Walking past the buildings of GCSU on an overcast, cool morning on a Thursday in September, a Marine Recruitment booth was spotted near "the Fountain," a common meeting area and major campus thoroughfare located between Arts & Sciences, Russell Library, and the International Education Center of Georgia College & State University. Within two hours a cloak was donated, a scythe fabricated and the Grim Reaper began a conversation with the young recruiter. Grim Reaper: "Good morning." Marine Recruiter: "I wish my buddies were here." GR: "I do not question your heroism. You have made a great sacrifice for our nation, you have given yourself for a purpose greater than yourself. You are an American Hero." MR: "Mm hm." GR: "The architects of this illegal and immoral war in Iraq are responsible for the rapes, mutilations, dehumanization and deaths of tens of thousands of men, women and children...Iraqis, coalition forces, and American servicemen and servicewomen. The Administration in Washington has summoned me. That is why I am here today. That is who I am here for." MR: "O.K." GR: "Thank you." (Hand shake) As a crowd gathered, a few students wandered close to him and said "fuck you." More offered support and encouragement. Pairs of laughing students asked if they could take pictures, flanking him and waving towards their friends' cell phone cameras. Someone offered a quiet, lingering hug. An older student, a veteran, asked to hold the scythe in solidarity, and in protest. Other students began to ask why this reaper was here, and quietly discuss the war with him. A young man was heard saying "It's un-American! Those soldiers are fighting and dying so he can stand there and do that!" The Reaper thought "they are not dying for my right to free speech, if that's what he means by 'do that.' I feel no threat by Al-Qaeda to my right to be here, peaceably, passively. I am much more threatened by the hostility I hear in your voice, and from the policeman eyeing me as he circles in closer. But if these Marines are sacrificing themselves for my right to stand here, then it is my responsibility to honor them by standing here." The motivation for this action came from the profound sadness felt at seeing a Marine Recruitment booth in the middle of our campus on an otherwise pleasant day in September. Legally we have no choice, but it seems antithetical to the stated mission of the university, and to all we, as an institution, are praised for among our communities. Though one could argue they are simply providing our students with more options for their future, a recruiter's primary goal is to remove the student as soon as possible from this campus, or soon after graduation through the use of monetary incentives, tales of exotic travel and adventure, promises of future education and appeals to one's sense of patriotism. The booth was drawing almost no attention. In the time spent there in the morning before the performance, a few students spoke to the recruiters, but most paid no more attention to them than to the other student-run booths nearby. Their presence there was a shocking reminder of the thousands of people, Iraqi's, Americans, completely innocent children, being utterly destroyed, emotionally and physically, by a war for oil and strategic positioning in the Middle East. There seemed to be a need to call attention to the recruiters' presence, with the hope that somebody might think about war...this war, all wars, and the carnage and death they require. Some wars may be necessary or just, but this "front line in the War on Terror" is a disgrace to us all. The function of this action was to encourage thought and discussion on the nature of war, on our general complacency, and on our ability to speak up and out if we want to. The recruiters themselves and others that volunteer their service to our country were not the subject of the protest or of the critique. Several sources (GCSU faculty, staff and students) say it is rumored that the Reaper was a student, a former student, a local unassociated with the university, a professor, etc. There is great benefit in these rumors, because it might occur to anyone hearing them that they too could participate in peaceful actions of resistance or support of things they care about, regardless of their "station," background, or position. Always Faithful, GR "Wherever Death is Present, and Underrepresented"

Authors Website: billfisher.dreamhost.com/nohate.html

Authors Bio:
William Fisher, MFA, 1996, Ohio University; BA, 1985, the College of William and Mary; apprentice to woodblock Master Toshii Yoshida, 1989-93, Tokyo, Japan; Associate Professor and Interim Chair, Department of Art, Georgia College; author of the online Art Department Directory at http://billfisher.dreamhost.com; Under Secretary of Southern Cultural Hegemony and Rural Visual Authority, US Department of Art & Technology.

As a critique of the mechanisms of cultural domination, Fisher?s work aims to subvert the tools of hegemony. Recent experiments in shared authorship examine quantification of the individual and identity, cults of the intellect and the expert, and the cynicism of Empire.

http://billfisher.dreamhost.com/nohate.html

Recent exhibitions/performances include District Fine Arts Gallery, Washington, DC, Phoebe Conley Gallery at California State University, Fresno, CA, Glass Gallery, University of Texas at El Paso, Texas, Jewett Arts Center Galleries, Wellesley College, Wellesley,MA, Indiana University of Pennsylvania, Central Missouri State University, University of Wisconsin at Madison, the Quinlan Visual Arts Center (censored collaboration), Gainesville, GA,, the Athens Institute of Contemporary Art, GA , Eyedrum Gallery, Atlanta, 24K Gallery, San Diego, CA, and Book Arts Gallery, University of the Arts, Philadelphia, PA.

Publications featuring work include Stone Lithography by Paul Croft, and The Indiana Review, 2005 Special Summer Issue. He has been interviewed by Eye Candy Magazine, Bad Subjects, Vivir Latino, Slacktivist.com, Take Back the Media and Rolling Stone. His work was recently solicited for the Cursor and the Nation web sites and Rhizome Art Data Base, and was shown in Winnipeg and Vancouver in early 2007 as part of the traveling exhibition "Allegories of the Genome." Fisher was recently chosen to represent Georgia in the 20-state art invitational "20/20," to be held in 2008.