We must look beyond Cold War politics and into the occult foundations of empire. Dr. John Dee, Queen Elizabeth I's astrologer, used theurgic magic, mathematics, and the occult to establish the British Empire through Mystic Imperialism. The ritual sacrifice of John Fitzgerald Kennedy on November 22, 1963--the anniversary of the Masonic Day of Revenge--did not just mark the death of a president, but the end of empire itself.

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The latest JFK file release has reignited the relentless search for the mastermind behind his assassination. But what if the competing theories blaming Allen Dulles, James Angleton, Lyndon Johnson, the mafia, Cuban exiles, Mossad, or the CIA were all carefully crafted cover stories? What if the true motive for JFK's murder was buried beneath layers of deception, scripted to maintain a false narrative for decades? Or even centuries?

To uncover the deeper truth, we must look beyond Cold War politics and into the occult foundations of empire itself. Dr. John Dee, Queen Elizabeth I' s astrologer and conjurer, used theurgic magic, mathematics, and the occult to establish the British Empire through Mystic Imperialism. The ritual sacrifice of John Fitzgerald Kennedy on November 22, 1963, the anniversary of the Masonic Day of Revenge, did not just mark the death of a president, but the end of empire itself. The cycle had come full circle: exactly 380 years earlier, on November 22, 1583, the beheading of the last Fitzgerald Earl of Desmond had inaugurated the British Empire. Was JFK' s assassination the final act in a ritual drama centuries in the making? Is it possible that JFK willingly took part in this drama through his rendezvous with death?

Join us as we unravel the deeper motives for the JFK assassination that weaves a story written long before the 20th-century machinations of geopolitics surrounding the assassination of JFK existed.

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*To get up to speed review RT 39. Backstage at the Creation of a New Beginning HERE *How Paul and Liz discovered JFK's Warrior of Peace mission can be read HERE. *Get a free PDF copy of Alanna Hartzok's "The Earth Belongs to Everyone" HERE.

R.A. "Kris" Millegan, publisher, host Paul Fitzgerald and Elizabeth Gould, authors, journalists Adam Finnegan, moderator

Paul Fitzgerald and Elizabeth Gould are authors of Invisible History: Afghanistan's Untold Story, published by City Lights (2009), Crossing Zero The AfPak War at the Turning Point of American Empire, published by City Lights (2011). Their novel The Voice, was published in 2001. Their memoir, The Valediction Three Nights of Desmond Book 1 was published by TrineDay (2021) and The Valediction Resurrection Book 2 was published by TrineDay (2022). For more information visit invisiblehistory, grailwerk and valediction.net

Authors Bio:

Paul Fitzgerald and Elizabeth Gould are the authors of Invisible History: Afghanistan's Untold Story and Crossing Zero The AfPak War at the Turning Point of American Empire and The Voice,a novel.

Paul Fitzgerald and Elizabeth Gould, a husband and wife team began working together in 1979 co-producing a documentary for Paul's television show, Watchworks. Called, The Arms Race and the Economy, A Delicate Balance, they found themselves in the midst of a controversy that was to boil over a few months later with the Soviet invasion of Afghanistan. Their acquisition of the first visas to enter Afghanistan granted to an American TV crew in 1981, brought them into the most heated Cold War controversy since Vietnam. But the people inside Soviet-occupied Afghanistan told a very different story from the one being broadcast on the evening news.

Following their news story for the CBS Evening News, they produced a documentary (Afghanistan Between Three Worlds) for PBS and in 1983 they returned to Kabul for ABC Nightline with Harvard Negotiation project director Roger Fisher. Arriving in Kabul that spring they were told that the Russians wanted to go home and negotiate their way out. But the story that President Carter called, "the greatest threat to peace since the second World War" had already been written by America's pundits was not about to change the script.

As the first American journalists to get behind the official propaganda on the war, they not only got a view of an unseen Afghan life, but a revelatory look at how the US defined itself under the veil of superpower confrontation. But as they pursued the reasons behind the propaganda, they were drawn into a story that was growing into mythic dimensions.

It was at the time of the first World Trade Center bombing in 1993 when they were working on the film version of their experience under contract to Oliver Stone, that they began to piece together the mythic implications of the story. During the research for the screenplay crucial documents were declassified. Over the next decade they trailed a labyrinth of clues to find a likeness in Washington's official policy towards Afghanistan - in the ancient Zoroastrian war of the light against the dark - whose origins began in the region now known as Afghanistan. It was a likeness that grows more visible as America's involvement deepens.
By 1998, as the horrors of the Taliban regime began to grab headlines, they started collaborating with Afghan human rights expert Sima Wali. They contributed to the Women for Afghan Women: Shattering Myths and Claiming the Future book project. In 2002 they filmed Wali's first return to Kabul since her exile in 1978. The film they produced about Wali's journey home, The Woman in Exile Returns, gave audiences the chance to discover the message of one of Afghanistan's most articulate voices and her hopes for her people.

In the years since 9/11 much has happened to bring their story into sharp focus. Their experience at combining personal diplomacy with activist journalism could become a model for restoring a healthy and vibrant dialogue to American democracy. Ultimately, Invisible History: Afghanistan's Untold Story lays bare why it was inevitable that the Soviet Union and the U.S. should end up in Afghanistan and what that means to the future of the American emp