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July 28, 2024
My plastic finger
By Gary Lindorff
I don't know how she got it / Or, more to the point, / Why she thinks it is mine.
::::::::
I am at a lawn party.
I arrived late
There are flies at the food table.
I see a friend I haven't seen for a while
Up in the backyard
By the white fence.
I run up to where they are talking,
Three young women and my friend
Who is seated.
They don't turn immediately
Which is fine,
I am just glad to have found my friend.
Then his girlfriend greets me enthusiastically
And says "I just love your plastic finger."
She is holding it upright.
I don't know how she got it
Or, more to the point,
Why she thinks it is mine.
If it is mine you would think I would remember.
I realize that I have been rubbing
My friend's back the whole time.
Now the other two women are paying attention.
We are all looking at the plastic finger
That my friend's girlfriend is holding up.
It is clear and pliant and it has a ring
And a (as if) manicured fingernail.
It is really an elegant finger.
One of the young women asks
What do you use it for?
What should I say?
Should I be honest and say
I don't remember having a plastic finger in my life?
Or should I lie to stay in the conversation?
Should I say that I use it
When I want to make a point?
Or that it honors my feminine side?
You know how sometimes you will do anything
For the attention of attractive people?
So I said, "That finger has made a huge difference in my life."
But even as I am hearing my lie
I am aware that the conversation has shifted
Away from the finger
Away from me.
Gary Lindorff is a poet, writer, blogger and author of five nonfiction books, three collections of poetry, "Children to the Mountain", "The Last recurrent Dream" (Two Plum Press), "Conversations with Poetry (coauthored with Tom Cowan), and a memoir, "Finding Myself in Time: Facing the Music". Lindorff calls himself an activist poet, channeling his activism through poetic voice. He also writes with other voices in other poetic styles: ecstatic, experimental and performance and a new genre, sand-blasted poems where he randomly picks sentence fragments from books drawn from his library, lists them, divides them into stanzas and looks for patterns. Sand-blasted poems are meant to be performed aloud with musical accompaniment.
He is a practicing dream worker(with a strong, Jungian background) and a shamanic practitioner. His shamanic work is continually deepening his partnership with the land. This work can assume many forms, solo and communal, among them: prayer, vision questing, ritual sweating, and sharing stories by the fire. He is a born-pacifist and attempts to walk the path of non-violence believing that no war is necessary or inevitable.