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April 24, 2011

Reflections on SING YOU HOME by Jodi Picoult

By Anne Grant

Jodi Picoult's 18th novel takes us into a music therapist's challenging sessions, a fertility clinic, and a courtroom where religious zealots are trying to prevent a woman from having children born of her own embryos--because they do not approve of her same-sex marriage.

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Jodi Picoult
Jodi Picoult
(Image by Picoult)
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In all the years I have studied Rhode Island courtrooms, I have never seen any witness swear on a Bible. But other details in Jodi Picoult's 18th novel, Sing You Home, ( Atria. 466 pages. $28)  are more accurate portrayals of its Rhode Island setting -- from artificial birdsong at Kent County Courthouse to Italian cuisine on Federal Hill.

This novel comes with a compact disc of reflective songs written by Picoult and performed by Ellen Wilber, conveying the persona of music therapist Zoe Baxter. As the chapters unfold, a song list takes us through 10 tracks, much like Zoe's practice of asking clients, "What songs would be on a mix tape that describes you?"

Zoe's verve enlivens the story, as when the dementia-stricken former CEO of a Fortune 500 company interrupts her rendition of "Take Me Out To The Ball Game" by swinging at her. Her initial delight that he has "connected" gives way to his grief at his sadly altered state and her regret "for unlocking his blocked mind with music."

We learn of burdens on Zoe's husband, Max, who must produce sperm on demand in a fertility clinic until he can no longer endure the painful cycle of Zoe's miscarriages and her obsessive yearning for motherhood.

After their divorce, we witness conversions: Zoe falls in love with another woman, Vanessa. Max, who despised Christians, becomes one. An even greater conversion lies ahead.

As she has done before, Picoult sets up each chapter with a unique typeface representing the first-person voice of a single character. This method casts a large net over the life stories of her three lead actors, trawling their thoughts, so they are not cardboard stereotypes, but flexible and surprising.

As in Picoult's previous novels, all three characters converge in the courtroom. There, Max's pastor has spearheaded a fundamentalist crusade to challenge Zoe's right to her own fertilized eggs, which the pastor has named and claimed as "pre-born children."

The court spectacle has attracted zealots, much like Rhode Island's current struggle over recognizing same-sex marriage. Lawyers on both sides argue from the Bible and case law over the rights of gays and embryos.

It is signature Picoult fiction. Bullying and lies gain a life of their own in the courtroom: This detail is vintage Rhode Island.

Anne Grant writes about troubling family court custody decisions at custodyscam.blogspot.com, littlehostages.blogspot.com and elsewhere. 



Authors Bio:
In addition to her book reviews and general writing, much of Anne Grant's research focuses on legal abuse in family courts and child protective services that place traumatized children at greater risk. She writes several blogs, including those that focus on custody courts:
http://CustodyScam.blogspot.com
http://LittleHostages.blogspot.com
http://TrophyChild.blogspot.com
http://WritingTruthToPower.blogspot.com

She contributed to the book, "Domestic Violence, Abuse, and Child Custody: Legal Strategies and Policy Issues," edited by Mo Therese Hannah, Ph.D. and Barry Goldstein, J.D. (Civic Research Institute, 2010).

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