Writer/Director, "The Reflecting Pool"
By Jim Cirile
New feature film “The Reflecting Pool” may just be the “All the President’s Men” of our time. No, it doesn’t have Hoffman and Redford. But it is a chilling and important fact-based investigative drama.
Writer/director Jarek Kupsc (“Slumberland”) stars as Alex Prokop, a successful hard-hitting Russian/American journalist. As a last gasp before corporate takeover, his editor (Lisa Black) hands Prokop a bombshell assignment -- investigate the official version of 9-11. Prokop, dismissive of 9-11 skeptics, reluctantly teams with grieving father Paul Cooper (the outstanding Joseph Culp) to investigate. After losing his daughter in the attacks, Cooper transformed himself into a 9-11 expert -- at the expense of his marriage. As Prokop and Cooper kick at the hornets’ nest, a sickening, carefully orchestrated pattern of deceit emerges – and Prokop finds publishing the story may mean curtains on his career.
“The Reflecting Pool” will open eyes, anger some and test the faith of others. But it also finally gives voice to the 48% of Americans distrustful the official 9-11 story, according to a recent Zogby poll. And it’s a tour de force from writer/director/actor Jarek Kupsc. With the 9-11 Truth movement gaining steam by the day (this week alone, Willie Nelson “came out,” joining a growing list of celebrities to question 9-11; Dario Fo & Gore Vidal’s 9-11 documentary “Zero” is dropping jaws and creating buzz in Berlin at the European Film Market; and NY Times reporter Philip Swenon's expose "The Commission" hit bookstores) we believe this is an important topic worthy of serious discussion, and thus we are proud to bring you this interview with the courageous Mr. Kupsc.
Jim Cirile: Tell us a little about your background.
JC: Wow. What was the genesis of “The Reflecting Pool”?
JK: The movie came as a direct result of my personal interest in 9/11, which began on 9/11 at 9:03 a.m., the moment the second tower got hit. As a born skeptic fed totalitarian propaganda in my native Poland, I never bought the official story of nineteen hijackers. After three years of research, I amassed enough information to believe that this tragic event was orchestrated within the U.S. government circles. I never intended to make a movie about 9/11. I was absolutely positive someone else would. Sure enough, some excellent (and some outlandish) documentaries started to (emerge). I thought it would be a matter of short time before the notoriously “liberal” Hollywood or some independent producer would tackle the subject in a dramatic form. By 2005, that didn’t happen. So I decided to do it on my own. I was simply driven by anger and disbelief that the narrative sector of the movie industry would not deal with this issue. Since I am trained in the narrative form, it was only natural to develop a character-driven fictitious film based on actual events.
JC: The idea of turning all that research into a narrative investigative drama sounds pretty daunting. What was your writing process?
JK: From my personal research, I had all the facts. And by “facts,” I mean sources that came directly from mainstream media – New York Times, Washington Post, Los Angeles Times, even Fox News, believe it or not. All these outlets reported some pretty damning information. Granted, it was never front-page news. Those articles were buried deep. Luckily, as a grad student, my wife (“The Reflecting Pool” producer) Jodie Baltazar had access to an online library that rivals the Library of Congress, so I could cross-reference any officially published 9/11 topic. I also looked at some of the best 9/11 Truth websites to find links to mainstream articles. They are very thorough in indexing their sources to avoid any suspicion of fabricating or distorting the facts. Having had these facts at my disposal, I then begun a truly arduous process of selecting what should stay in the script and what should go. It was an editorial process of elimination of those facts that were still questionable, less relevant, or could be misconstrued as misinformation. I ended up with a short-list, which I then trimmed to what a two-hour movie could support without overwhelming the audience. The facts you hear about in “The Reflecting Pool” were ultimately chosen to give a solid foundation for the narrative of two guys who go after the truth. The fiction part of the script is what gives the movie human dimension, real drama, as opposed to a fact-driven documentary.
JC: I noticed the DVD is meticulously sourced. These are facts, and the picture they paint is inarguable. Yet many will dismiss them because the concept of government and media complicity is just too horrifying for some folks to handle.
JK: If you dismiss the facts of “The Reflecting Pool,” you have to dismiss every source we used, including Fox News and the most prominent newspapers in the country. So you have to ask yourself, if Fox News is telling me that every intelligence service in the world sent us warnings about the attacks, what does it mean? Now, Fox News, for all intents and purposes, is a propaganda channel for the Bush administration. They are not apologetic about it -– they provided the President with a Fox News spokesperson for heaven’s sake! But now and then, even Fox has to report some truth just to give us an illusion of objectivity. In this case, reporting on the foreknowledge of the 9/11 attacks, they got it right. Of course, they didn’t break this story – they wouldn’t dare. But once they saw it being reported on the other networks, they were forced to pick it up in fear of not falling behind. The worst form of censorship is self-censorship. Not reporting something you know is true is far more damaging than burning a few library books. What we have in this corporate media-driven society is a combination of self-censorship and marginalizing the inconvenient truth. If you bury it by the obituary page, nobody will read it. If you listen to our commentary on “The Reflecting Pool” DVD, you’ll hear all these quotes from corporate media, and you may think, wait a minute, they DID report this! They must be on our side! What you don’t realize is that none of the facts we quote were ever front-page, or even back-page news. They were meticulously marginalized and, obviously, nobody came out in the mainstream media to connect all the dots. Which is what “The Reflecting Pool” attempts to do -- to paint a larger picture based on marginalized reports.
JC: I understand the film was at least partially financed by credit cards. How did you go about raising the money?
JK: We didn’t. We, Jodie and I, and (producer/actor) Joseph Culp, combined our meager personal resources to make this film. There was no time to wait for outside money, which could take years to raise. It had to be done in the moment. For the same reason we are self-distributing the DVD on www.reflectingpoolfilm.com. A lot of people don’t realize that even if you do secure a distribution deal, the so-called turnaround time for the movie to see the light of day would take twelve to eighteen months. By then, Cheney and Co. will (hopefully) be way out of the office, laughing all the way to the bank.