A quintet known as The Coasters once recorded a song called Along Came Jones. It was mildly successful.
They haven't made films like that for a very long time, reason being that today's film audience is too jaded. These days, children above the age of four or five get bored with such stuff.
I have a nephew, 45 years old. He is an adamant Dean Koontz fan. A couple of people I used to work with were crazy for Dean Koontz novels. For a while there it seemed every time I turned around, somebody shoved a Dean Koontz novel in my face: "Here, man! You gotta read this!" Too bad I was always reading something else.
So it was years before I learned to appreciate Dean Koontz. My awakening finally came when I read One Door Away from Heaven (New York: Bantam; 2001).
I wasn't more than six or eight chapters into the book when I picked up on the style of it. One chapter ends with the protagonist in a jam; the next chapter ends when that situation is resolved. Often the resolutions are violent. When the narrator's focus shifts to another character, the chapter/action sequence repeats.
It seems Dean Koontz fans find that narrative style and pace exciting. There are 73 chapters in One Door Away. For me, then, the novel was 36 verses of Along Came Jones, each with slightly different lyrics.
The chapters average eight pages each. After one or two hundred pages of those fast-paced, melodramatic ups and downs, I began to get seasick. When I realized there were four hundred pages left, I put down the book for a few minutes and drove to Walgreens, where I bought Dramamine. At the 7-11 across the street, I scored a pound of Jack cheese, a box of Ritz crackers, a gallon of Dago red and a six-pack of lemon-lime soda.
Home again, I made myself a pitcher of wine coolers. Then I diced the cheese into a large bowl of crackers, poured myself a long one and settled on the couch, determined to find out why people like Dean Koontz novels. At the end of it all the cheese and crackers were long gone. I quit building wine coolers after 350 pages, threw my glass away after 500 pages, and ended up (p. 606) suckin' on the jug. That book was an awful ride.
Next day I studied and revised my notes. Day after that I read about half of the book for the second time, checking my notes again as I did so. At some time during that second night, I awoke to the conclusion that those who actually enjoy Dean Koontz novels are those who simply don't know any better. If One Door Away from Heaven is typical, then nobody able to pass a sixth-grade, reading-comprehension exam could suffer through more than one such book.
"By the time Laura turned eight, she understood that her family wasn't like others. A conscience had never been nurtured in her, not in the Farrel house, but nature had given her a strong moral sense. Shame came easily to her, and everything about her family mortified her more deeply year by year. . . . She wanted only to grow up, to get out, and to make a life that would be 'clean, quiet, not a harm to anyone."
The second occurs on p. 249. There we learn of Wendy Quail that: