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OpEdNews Op Eds    H3'ed 12/7/20

Invasion of the Body Snatchers: Psychological Warfare Disguised as a Pandemic Threat

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John Whitehead
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"Look! You fools! You're in danger! Can't you see? They're after you! They're after all of us! Our wives... our children... they're here already! You're next!" Dr. Miles Bennell, Invasion of the Body Snatchers (1956)

It's like Invasion of the Body Snatchers all over again.

The nation is being overtaken by an alien threat that invades bodies, alters minds, and transforms freedom-loving people into a mindless, compliant, conforming mob intolerant of anyone who dares to be different, let alone think for themselves.

However, while Body Snatchers--the chilling 1956 film directed by Don Siegel--blames its woes on seed pods from outer space, the seismic societal shift taking place in America owes less to biological warfare reliant on the COVID-19 virus than it does to psychological warfare disguised as a pandemic threat.

As science writer David Robson explains:

Fears of contagion lead us to become more conformist and tribalistic, and less accepting of eccentricity. Our moral judgements become harsher and our social attitudes more conservative when considering issues such as immigration or sexual freedom and equality. Daily reminders of disease may even sway our political affiliations. Various experiments have shown that we become more conformist and respectful of convention when we feel the threat of a disease... the evocative images of a pandemic led [participants in an experiment] to value conformity and obedience over eccentricity or rebellion.

This is how you persuade a populace to voluntarily march in lockstep with a police state and police themselves (and each other): by ratcheting up the fear-factor, meted out one carefully calibrated crisis at a time, and teaching them to distrust any who diverge from the norm.

This is not a new experiment in mind control.

The powers-that-be have been pushing our buttons and herding us along like so much cattle since World War II, at least, starting with the Japanese attacks on Pearl Harbor, which not only propelled the U.S. into World War II but also unified the American people in their opposition to a common enemy.

That fear of attack by foreign threats, conveniently torqued by the growing military-industrial complex, in turn gave rise to the Cold War era's "Red Scare." Promulgated through government propaganda, paranoia and manipulation, anti-Communist sentiments boiled over into a mass hysteria that viewed anyone and everyone as suspect: your friends, the next-door neighbor, even your family members could be a Communist subversive.

This hysteria also paved the way for the rise of an all-knowing, all-seeing governmental surveillance state.

The 9/11 attacks followed a similar script: a foreign invasion mounts an attack on an unsuspecting nation, the people unite in solidarity against a common foe, and the government gains greater war-time powers (read: surveillance powers) that, conveniently enough, become permanent once the threat has passed.

The government's scripted response to the COVID-19 pandemic has been predictably consistent: once again, in order to fight this so-called "foreign" foe, the government insists it needs even greater surveillance powers.

As we've seen since 9/11 and more recently with the COVID lockdowns, those in power have always had a penchant for enacting extreme measures to combat perceived threats. Yet no matter the threat, the underlying principle remains the same: can we hold onto our basic freedoms and avoid succumbing to the soul-sucking dredge of conformity that threatens our very humanity?

This conundrum is at the heart of the 1956 classic Invasion of the Body Snatchers, which was based on a 1954 science fiction novel by Jack Finney (and later remade into an equally chilling 1978 film by Philip Kaufman).

Body Snatchers is set in a small California town that has been infiltrated by mysterious pods from outer space that replicate and take the place of humans who then become conforming non-individuals. Miles Bennell, the main character, is a local doctor who resists the invaders and their attempts to erase humanity from the face of the earth.

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John W. Whitehead is an attorney and author who has written, debated and practiced widely in the area of constitutional law and human rights. Whitehead's aggressive, pioneering approach to civil liberties has earned him numerous accolades and (more...)
 

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