Tina Turner & Chuck Berry - Rock n roll music Tina Turner & Chuck Berry - Rock n roll music.
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What is the connection between liberation theology and its feminist theologians refusing to wear underwear while writing their articles and books? That's right: no underwear.
And what is the connection of their resulting theology with the poor lemon vendors in Buenos Aires who, also without underwear, squat defiantly in their full skirts and urinate on the sidewalks in front of watchful and disapproving city police? (Meanwhile, the lemon sellers complain about their "shi*ty priests", "mafia politicians" and those "puta policia" - fu*kin' cops).
And what about the mothers, grandmothers, and great-grandmothers, who proudly display their completely unrobed bodies on so many contemporary internet sites? Presumably many of them identify as Christians. But by religious standards, isn't such display "indecent?"
And finally, is there any relationship between feminist theologians and those Argentine lemon sellers, on the one hand, and rock 'n' roll music, Tina Turner, and Chuck Berry on the other.
The late liberation theologian Marcella Althaus-Reid (1952-2009) provocatively raised and addressed questions like those during her brief career as Senior Lecturer in Christian Ethics, Practical Theology, and Systematic Theology at the University of Edinburgh in Scotland. In doing so, she shed light on women's rebellions against oppressive patriarchal norms across the planet.
You know what I mean. Think about the reaction to the effective repeal of Roe v. Wade by the U.S. Supreme Court. Think of those Muslim women in Iran who cut their hair in public and refuse to obey the "morality police." Even consider, if you can, the unspoken meaning behind those mature women around the world who provocatively display their unclothed bodies online for all to see.
Althaus-Reid argued that the above are all doing what she called "Indecent Theology." Here the reference is to her thesis from her 2004 theological potboiler, From Feminist Theology to Indecent Theology: Readings on Poverty, Sexual Identity, and God.
Because of the important light the book sheds on the feminist rebellions just referenced, as well as on liberation theology itself, please consider with me what Althaus-Reid means. Consider the relevance of indecency to liberation theology and to issues like abortion, the morality police, what some might call "pornography," as well as to patriarchy in general. Consider its connection to rock 'n' roll and to popular "saints" like the recently deceased Tina Turner (1939-2023) and Chuck Berry (1926-2017).
Female Indecency
Althaus-Reid begins by reminding readers that Christianity itself is a highly sexualized affair. It is claustrophobically decent. (In what follows, all references in parentheses are to the book just cited.)
She says it's not that the morality of the Bible in any way endorses Victorian sexual standards. It does not. Instead, its main concerns are liberation in all the senses (economic, political, and spiritual) that the word "liberation" connotes.
That's because the Biblical tradition was based on the freeing of slaves from Egypt. Its resulting concern was for the welfare of widows, orphans, and resident aliens. Its prophetic tradition boldly spoke radical truth to priests, kings, and other bosses who legislated against, ignored, and/or exploited the poor.
In general, the biblical tradition promised the latter a new and brighter future. The prophet Yeshua called that future the "Kingdom of God." By that he meant what the world would be like if God were king instead of the world's oppressive "Caesars." Such a world would be turned upside down. Its standards of decency would be transgressed at every turn.
Yet despite such a clear emphasis on social justice, it was the biblical tradition itself that ended up doing a headstand instead of the imperial world order. The revolutionary thrust of "The Book's" pivotal story was tamed by the kings, princes, and popes of the world (27, 28). Far from being scandalous and revolutionary, the Judeo-Christian tradition thus became the defender of the status quo. Its point became the social control of the revolutionary lower classes, with oppressive standards of decency, especially for women.
And why so much attention to women? It is because of their embodiment of the revolutionary energy that the Greeks called eros. As psychologists and philosophers such as Sigmund Freud and Herbert Marcuse have pointed out, eros represents the basic creative energy of the universe.
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