November 24, 2016 By Jay Dyer
Orson Wells as Citizen Kane (1941)
Anyone who has seen Orson Welles’ Citizen Kane knows the director became a target of one of the most powerful media moguls of all time – William Randolph Hearst (who bought up all the major papers of his day). Not many years later, Skull and Bonesman “Baal,” aka, Henry Luce of Time Magazine fame and his CIA operative wife Claire Booth e would cooperate in promoting the “anti-establishment” hallucinogenic trend, along with the dozens of academic and government institutions associated with MK ULTRA.