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Tomgram: Engelhardt, A Book to Write?

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This article originally appeared at TomDispatch.com. To receive TomDispatch in your inbox three times a week, click here.

Burning Books (or Rather Book Companies)
Looking Back on My Years in " And out of " Publishing

By

No one listened better than Studs. For those of you old enough to remember, that's Studs Terkel, of course. The most notable thing about him in person, though, was this: the greatest interviewer of his moment, perhaps of any moment, never stopped talking, except, of course, when he was listening to produce one of his memorable bestselling oral histories " he essentially created the form " ranging from Working and Hard Times to The Good War.

I still remember him calling my house. He was old, his hearing was going, and he couldn't tell that my teenage son had rushed to answer the phone, hoping it was one of his friends. Instead, finding himself on with Studs talking a mile a minute, my son would begin yelling desperately, "Dad! Dad!"

With that " and a recent publishing disaster " in mind this morning, I took my little stepladder to the back of my tiny study, put it in front of my bookcase and climbed up until I could reach the second to the top shelf, the one that still has Studs's old volumes lined up on it. Among others, I pulled down one of his later oral histories, Will the Circle Be Unbroken?: Reflections on Death, Rebirth, and Hunger for a Faith. In its acknowledgments, I found this: "Were it not for Tom Engelhardt, the nonpareil of editors, who was uncanny in cutting the fat from the lean (something I found impossible to do) and who gave this work much of its form, I'd still be in the woods."

And that still makes me so proud. But let me rush to add that, in the years of his best-known work when I was at Pantheon Books (1976 to 1990), I was never his main editor. That honor was left to the remarkable Andre' Schiffrin who started Studs, like so many other memorable authors, on his book career; ran that publishing house in his own unique way; found me in another life; and turned me into the editor he sensed I already naturally was.

For me, those were remarkable years. Even then, Andre' was a genuinely rare figure in mainstream publishing " a man who wanted the world to change, a progressive who couldn't have been a more adventurous publisher. In fact, I first met him in the midst of the Vietnam War, at a time when I was still an Asian-scholar-to-be and involved in organizing a group, the Committee of Concerned Asian Scholars, that had produced an antiwar book, The Indochina Story, that Andre' had decided to publish.

In my years at Pantheon, he transformed me into a book editor and gave me the leeway to find works I thought might, in some modest fashion, help alter our world (or rather the way we thought about it) for the better. Those included, among others, the rediscovery of Charlotte Perkins Gilman's early-twentieth-century utopian masterpiece Herland; the publishing of Unforgettable Fire, Pictures Drawn by Atomic Bomb Survivors (not long before, in the early 1980s, an antinuclear movement in need of it would arise in this country); Nathan Huggins's monumental Black Odyssey; Eduardo Galeano's unique three-volume Memory of Fire history of the Americas; Eva Figes's novel Light; John Berger's Another Way of Telling; Orville Schell's "Watch Out for the Foreign Guests!": China Encounters the West; and even " my mother was a cartoonist " the Beginner's comic book series, including Freud for Beginners, Marx for Beginners, Darwin for Beginners, and, of course, Art Spiegelman's MAUS, to mention just a modest number of works I was responsible for ushering into existence here in America.

The Second Time Around

What a chance, in my own fashion and however modestly, to lend a hand in changing and improving our world. And then, in a flash, in 1990 it all came to an end. In those years, publishing was already in the process (still ongoing) of conglomerating into ever fewer monster operations. Si Newhouse, the owner of Conde' Nast and no fan of progressive publishing, had by that time taken over Random House, the larger operation in which Pantheon was lodged and he would, in the end, get rid of Andre' essentially because of his politics and the kind of books we published.

We editors and most of the rest of the staff quit in protest, claiming we had been "Newhoused." (Writers like Barbara Ehrenreich and Kurt Vonnegut would join us in that protest.) The next thing I knew, I was out on the street, both literally and figuratively, and my life as a scrambling freelancer began. Yes, Pantheon still existed in name, but not the place I had known and loved. It was a bitter moment indeed, both personally and politically, watching as something so meaningful, not just to me but to so many readers, was obliterated in that fashion. It seemed like a publishing version of capitalism run amok.

And then, luck struck a second time. A few years later, one of my co-editors and friends at Pantheon, Sara Bershtel, launched a new publishing house, Metropolitan Books, at Henry Holt Publishers. It seemed like a miracle to me then. Suddenly, I found myself back in the heartland of mainstream publishing, a "consulting editor" left to do my damnedest, thanks to Sara (herself an inspired and inspiring editor). I was, so to speak, back in business.

And as at Pantheon, it would prove an unforgettable experience. I mean, honestly, where else in mainstream publishing would Steve Fraser and I have been able to spend years producing a line-up of books in a series we called, graphically enough, The American Empire Project? (Hey, it even has a Wikipedia entry!) In that same period, Sara would publish memorable book after memorable book like Barbara Ehrenreich's Nickel and Dimed and Thomas Frank's What's the Matter with Kansas?, some of which made it onto bestseller lists, while I was putting out volumes by authors whose names will be familiar indeed to the readers of TomDispatch, including Andrew Bacevich, James Carroll, Noam Chomsky, Michael Klare, Chalmers Johnson, Alfred McCoy, Jonathan Schell, and Nick Turse. And it felt comforting somehow to be back in a situation where I could at least ensure that books I thought might make some modest (or even immodest) difference in an ever more disturbed and disturbing America would see the light of day.

I've written elsewhere about the strange moment when, for instance, I first decided that I had to publish what became Chalmers Johnson's remarkable, deeply insightful, and influential book Blowback: The Costs and Consequences of American Empire on the future nightmares my country was then seeding into the rest of the planet. Think, for instance, of Osama bin Laden who, Johnson assured his readers well before 9/11 happened, we had hardly heard the last of. (Not surprisingly, only after 9/11 did that book become a bestseller!) Or consider Noam Chomsky's Hegemony or Survival: America's Quest for Global Dominance, which I published in 2003. So many years later, its very title still sums up remarkably well the dilemma we face on a planet where what's on the mind of top foreign policy officials in Washington these days is " god save us! " a new cold war with China. We're talking, in other words, about a place where the two major greenhouse gas emitters on Planet Earth can't agree on a thing or work together in any way.

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Tom Engelhardt, who runs the Nation Institute's Tomdispatch.com ("a regular antidote to the mainstream media"), is the co-founder of the American Empire Project and, most recently, the author of Mission Unaccomplished: Tomdispatch (more...)
 

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