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The cruel boredom of pornography

By       Message Robert Jensen       (Page 1 of 3 pages)     Permalink

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This article appeared originally in Last Exit magazine.

http://lastexitmag.com/

 

There is a finite number of ways that human bodies can be placed together sexually, and as one pornography industry veteran lamented to me at the annual trade show, “they’ve all been shot.” He sighed, pondering the challenge of creating a sexually explicit film that is unique, and mused, “After all, how many dicks can you stick in a girl at one time?”

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His question was offered rhetorically, but I asked: How many?

 

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Probably four, he said; simultaneous oral, vaginal, and double-anal penetration was realistic. Another producer later in the day told me he had once worked on a film that included a double-anal/double-vag scene -- a woman being penetrated by four men at once. He said the director had a special harness made to hold the woman for that scene. In contemporary mass-marketed heterosexual pornography, it’s unexceptional to see a standard DP (industry slang for “double penetration,” with two men entering a woman vaginally and anally at the same time) with oral penetration.

 

Whatever the number, theoretical or routine, the discussion reminds us that pornography is relentlessly intense, pushing our sexual boundaries both physically and psychically. And, pornography also is incredibly repetitive and boring.

 

Pornographers know all this, of course, and it keeps them on edge.

 

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These days there are about 13,000 pornographic films released each year, compared with about 600 from Hollywood. Not surprisingly, a common concern at the Adult Entertainment Expo each time I attended (in 2005, 2006, and 2008) was that the desperate struggle by directors to distinguish their films from all the others was leading to a kind of “sexual gymnastics.” Lexington Steele, one of the most successful contemporary pornography performers and producers, put it bluntly: “A lot of gonzo is becoming circus acts.”

 

“Gonzo” is the pornographic genre that rejects plot, character, or dialogue, offering straightforward explicit sex. Gonzo films are distinguished from “features,” which to some degree mimic the structure of a traditional Hollywood film. According to the top trade magazine: “Gonzo, non-feature fare is the overwhelmingly dominant porn genre since it’s less expensive to produce than plot-oriented features, but just as importantly, is the fare of choice for the solo stroking consumer who merely wants to cut to the chase, get off on the good stuff, then, if they really wanna catch some acting, plot and dialog, pop in the latest Netflix disc.” [“The Directors,” Adult Video News, August 2005, p. 54.]

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Robert Jensen is a journalism professor at the University of Texas at Austin and board member of the Third Coast Activist Resource Center. His latest book, All My Bones Shake: Seeking a Progressive Path to the Prophetic Voice, was published in 2009 (more...)
 

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