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Reprinted from theconversation.com
George Orwell warns us in his dystopian novel 1984 that authoritarianism begins with language. In the novel, "newspeak" is language twisted to deceive, seduce and undermine the ability of people to think critically and freely.
Donald Trump's unapologetic bigoted language made headlines again Thursday when it was reported he told lawmakers working on a new immigration policy that the United States shouldn't accept people from "shithole countries" like Haiti. Given his support for white nationalism and his coded call to "Make America Great (White) Again," Trump's overt racist remarks reinforce echoes of white supremacy reminiscent of fascist dictators in the 1930s.
His remarks about accepting people from Norway smack of an appeal to the sordid discourse of racial purity. There is much more at work here than a politics of incivility. Behind Trump's use of vulgarity and his disparagement of countries that are poor and non-white lies the terrifying discourse of white supremacy, ethnic cleansing and the politics of disposability. This is a vocabulary that considers some individuals and groups not only faceless and voiceless, but excess, redundant and subject to expulsion. The endpoint of the language of disposability is a form of social death, or even worse.
As authoritarianism gains strength, the formative cultures that give rise to dissent become more embattled, along with the public spaces and institutions that make conscious critical thought possible.
Words that speak to the truth to reveal injustices and provide informed critical analysis begin to disappear, making it all the more difficult, if not dangerous, to judge, think critically and hold dominant power accountable. Notions of virtue, honour, respect and compassion are policed, and those who advocate them are punished.
I think it's fair to argue that Orwell's nightmare vision of the future is no longer fiction in the United States. Under Trump, language is undergoing a shift: It now treats dissent, critical media coverage and scientific evidence as a species of "fake news."
The Trump administration, in fact, views the critical media as the "enemy of the American people." Trump has repeated this view of the media so often that almost a third of Americans now believe it and support government-imposed restrictions on the media, according to a Poynter survey.
Thought crimes and fake newsTrump's cries of "fake news" work incessantly to set limits on what is thinkable. Reason, standards of evidence, consistency and logic no longer serve the truth, according to Trump, because the latter are crooked ideological devices used by enemies of the state. Orwell's "thought crimes" are Trump's "fake news." Orwell's "Ministry of Truth" is Trump's "Ministry of Fake News."
The notion of truth is viewed by this president as a corrupt tool used by the critical media to question his dismissal of legal checks on his power, particularly his attacks on judges, courts and any other governing institutions that will not promise him complete and unchecked loyalty.
For Trump, intimidation takes the place of unquestioned loyalty when he does not get his way, revealing a view of the presidency that is more about winning than about governing.
One consequence is the myriad practices by which Trump gleefully humiliates and punishes his critics, wilfully engages in shameful acts of self-promotion and unapologetically enriches his financial coffers.
Under Trump, the language of civic literacy and democracy has become unmoored from critical reason, informed debate and the weight of scientific evidence, and is now being reconfigured and tied to pageantry, political theatre and a deep-seated anti-intellectualism.
One consequence, as language begins to function as a tool of state repression, is that matters of moral and political responsibility disappear and injustices proliferate.
Fascism starts with wordsWhat is crucial to remember here, as authoritarianism expert Ruth Ben-Ghiat notes, is that fascism starts with words. Trump's use of language and his manipulative use of the media as political spectacle are disturbingly similar to earlier periods of propaganda, censorship and repression.
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