This piece was reprinted by OpEd News with permission or license. It may not be reproduced in any form without permission or license from the source.
In Prado Museum, I rediscovered one of the greatest and most frightening artworks of all times: Pieter Bruegel's the Elder: "The Triumph of Death." I searched for it, and I found it in one of the main halls.
Here, in this surreal, powerful, and highly perverse artwork, it was depicted all. Yes, Death is frightening. Yes, it has tremendous strength, and it has its own 'army of skeletons.' And yes, in the end, it always wins.
But you look out, through the windows of Prado, and you see the ancient, green, and beautiful trees, you see the splendid architecture, and lovers holding hands. Death may have the last word for all human beings, but life goes on, too. It never gets defeated, and it never surrenders. There is time to live and time to die.
Bruegel, who painted his macabre masterpiece c. 1562, wanted us to live in constant fear of death.
Today's Madrid, with its passion, wants us to forget about death, at least for that short but brilliant moment, which is called life.
This new and hopefully short-lived era of COVID-19 terror is throwing us, human beings, back to the middle ages, where continuous anxieties and images of horrors were masterfully manufactured, even mass-produced, in order to poison our existence and strip us of dreams, of power, and joy.
Throughout the middle ages, at least in Europe, suffering and fear were habitually glorified. Joy and desires were suppressed, often chastised.
Next Page 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9
(Note: You can view every article as one long page if you sign up as an Advocate Member, or higher).
1
1
1
