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The Idol Smasher

By       Message Chris Hedges       (Page 2 of 3 pages) Become a premium member to see this article and all articles as one long page.     Permalink

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"The same book enticed professors at Beijing Normal University to invite me to China, from where my partner, the choreographer and author Carla Blank, whose most recent project was a collaboration with Robert Wilson, just returned. When I read from a song I wrote, at the Blue Note in Tokyo before it was sung, I couldn't get past the first two lines in Japanese before I was interrupted with applause. The same thing happened in Nigeria. On the basis of my study of Yoruba, I was able to read a poem before an audience of Nigerian writers. People began to sing and give me gifts. That's the way to reach citizens around the world. Learn their cultures. Communicating this way is superior to the old Eurocentric way of bombing those who are different from us."

Reed defies easy labels. "I don't join movements," he said at one point in the interview. He is deeply critical of black power movements that glorify violence, including the Black Panthers, but, he said...

"...after "watching the Oakland police for a few decades I can understand what they [the Panthers] were up against, originally. They were organized to oppose police brutality, which in those days meant cops who were recruited from the South and who had a proven track record of handling niggers; the same reason that Southern officers were chosen to command black troops in Italy during World War II. When the Panthers turned to electoral politics, they elected a mayor, congresspeople, and filled local positions with blacks. The Panthers, unfortunately, were caught in a lovers' quarrel between the white left and right. The right [and] the FBI destroyed the Panthers by using informants, including one who supplied them with weapons. The white left used them as proxies in a war against the establishment, their mothers and fathers. Some of them married movie stars or became well-paid gurus or made millions by being race baiters like David Horowitz. The white left was treated differently from the black left, just as the Black Bloc is treated differently from black kids."

"The Bloc's latest rampage through Oakland resulted in no arrests," he said of one of the Black Bloc protests that occurred in that city in 2012.

"When I interviewed Mark Rudd of the Weather Underground, he described his experience underground as 'cozy.' He was supported by rich progressives and though he participated in an armed robbery, a jail break and other crimes, when he surrendered the prosecutor testified on his behalf! He didn't serve a day in jail, while some members of the Black Panthers still languish in prison."

Reed attacks and explicates the institutional racism that keeps the poor trapped in internal colonies such as Oakland, but he has also mounted protracted campaigns to get the police to shut down crack houses and bring a semblance of safety to city streets. He confesses to being "very law and order" when it comes to criminal activity in inner-city neighborhoods. He calls the drug dealers, gang leaders and pimps in Oakland and other inner cities "neighborhood fascists." But he ultimately blames "white pathology" for creating the violence and disorder. He points out that not only do most of the guns in Oakland and other cities come from the suburbs, but so do the customers for the drugs and prostitutes. The vast majority of the absentee landlords who rent properties to criminal enterprises in Oakland are, he notes, white or Asian-American. Nearly all live outside the city.

He said that the news and entertainment industry, while ignoring the crimes of the big banks and corporations, focuses instead on blacks in the inner city whom he describes as "the underpaid mules in urban vice." He cites "The Wire" and what he calls "the pro-NYPD series 'NYC 22.'" [Neither of the TV shows are in production now.]

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"Indians of subcontinent ancestry run the hotels where the lucrative prostitution business takes place, and immigrant Muslims run the liquor stores, the front of which are outdoor offices for gangs, and the Chinese and Mexicans deliver the drugs to our neighborhood," he said.

"I've lived in Oakland for over 30 years. I have seen a steady stream of whites coming to the city for vice. The police and the white power structure look the other way. They are tacitly involved. Also unnoticed by the Yale and Harvard graduates who have made a good living writing columns about black failure is the sorry record of the police in solving 'urban' homicides. In Oakland, it's below 40 percent. Eighty-five percent of the police force in Oakland are white and from the suburbs and probably view black-on-black homicide as a form of sunocide -- my term for fraternal extermination -- as a form of population control. They permit these urban centers of vice to operate. But don't expect to read about this in The New York Times or see it on CNN, this huge contribution of the white power structure to black pathology. Black people, when they do appear in the media, are usually dressed in orange jump suits while whites are shown doing altruistic deeds. We often get these racist stereotypes handed to us by colored mind doubles. And these colored mind doubles, like Barack Obama or [Henry Louis] Gates, never mention the white complicity in sustaining the black underclass, especially when they give their 'tough love' talks. The Talented Tenth, which includes the president, have made gains by distancing themselves from the less fortunate blacks."

Reed said that in researching his novel "Reckless Eyeballing" it became shockingly clear that Nazi stereotypes of Jews paralleled U.S. stereotypes of American blacks. He said that Jewish men were portrayed in the Nazi press as sexual predators...

"They raped Aryan women. They were sexual deviants. They were violent. They engaged in criminal behavior. They were a force for vice, contamination and corruption. They could not be trusted. They were disloyal. Even Jewish schoolchildren were a problem because they supposedly disrupted classrooms. Now look at how Jewish writers like Philip Roth, Saul Bellow depict black men as flashers. I have a cartoon in which the Nazis depicted Jewish males as exposing themselves. David Mamet's 'Edmond,' about black sexual predators, and which kind of endorses vigilante action against them, is consistent with the portrayals of Jewish men by the Nazi media. David Simon, Steven Spielberg, Richard Price and David Mamet in his play 'Race' have profited from refereeing the conflict between black men and women."

Reed said that Spielberg's treatment of the character Mr. in "The Color Purple" even drew protest from author Alice Walker...

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"But where is the Jewish 'Color Purple'? I read a Jewish feminist magazine called Lilith where Jewish feminists complain that the abuse of Jewish women by Jewish men has been greeted with silence. When I visited Jerusalem for the first time, I found that the misogyny among Jewish men was rampant. While there, Israeli women picketed the Knesset over the issue. In the Jewish magazine Tablet, Jewish women criticized Jewish producers for assigning roles to Gentile women that were meant for them. So if Steven Spielberg took off from producing profitable Black Bogeyman pictures to produce a Jewish 'Color Purple,' one of those blond Rhine maidens who appear in Woody Allen's films will probably get the leading role."

"Critics object to my drawing a parallel between the treatment of black men in the United States and [Jews] in Nazi Germany," he went on...

"The parallel never occurred to me until I attended a lecture sponsored by the San Francisco Holocaust Museum. In a pamphlet they said that the treatment of Jewish men in Nazi Germany was similar to that accorded blacks in the United States. I went out and found examples, [including those I cite from] the out-takes of a film called 'Boogie Man, The Lee Atwater Story,' 2008, which can be ordered from Netflix."

Reed despairs of the decline of the black press, especially black newspapers, which once gave blacks a sense of their own identity. "During the black power movement the Panthers and the Nation of Islam and figures like Muhammad Ali would only talk to black journalists, so these white publications hired them," he noted. "But once these black journalists eventually went to work for white publications they had no power and no voice. According to Richard Prince's 'Journal-isms,' these reporters, correspondents and commentators are being fired en masse, even at NPR. Those remaining have to apologize when they get out of line."

He sees the assault on ethnic studies, especially African-American studies, as another way to ensure that blacks do not know their own history or the abuses and atrocities carried out by whites during slavery, Reconstruction and the Jim Crow era, as well as in contemporary society. Without an understanding of how white power works, he says, blacks who are trapped and ultimately disenfranchised, especially in our massive prison complex, cannot connect the dots.

Reed believes something has to be done soon to fight against the rapid reconfiguration of the United States into a corporate, feudal state. But he is not sure the Occupy movement is the answer. He wants something more politically defined. He suggests "a challenge of the Republican Party from the left as it has been challenged by the Murdoch/Ailes billionaire-backed tea party, which uses the same kind of chumps who got their asses blown off and were sacrificed by the planter 1 percent for the cause of white supremacy. Toward the end [of the Civil War], these pathetic soldiers who didn't own slaves found out what Jefferson Davis and his friends thought of them when they advocated that they fight side by side with black slaves. To the planter elite, these sad white men and black slaves were interchangeable."

"This is a white movement," Reed said of Occupy...

"They are exclusive. They don't concentrate on central issues that affect African-Americans. San Francisco poet laureate Alejandro Murguia says that they have the same attitude toward Hispanics. In Oakland they [Occupy members] were mostly middle-class kids from out of town; at least 75 percent were not from here. They didn't have any control over the Black Bloc anarchists, or these so-called anarchists. These Black Bloc kids, all dressed in black, which was the only thing black about them, went around smashing windows, trashing City Hall and destroying private property. They trashed Obama's campaign headquarters. We are a poor city. And now because of them we have to find millions of dollars to pay for their damage. Our police, which is an occupation force, take every opportunity to do overtime. They get paid well. And now we have to pay it. Why didn't these Black Bloc kids go smash the neighborhoods where the 1 percent live? Why didn't they march on La Jolla, one of the wealthiest zones in the United States? Every other car in La Jolla is a BMW or a Mercedes. Mitt Romney has a home there. Why didn't they go to Hillsborough or Palm Springs where rich people live? And what about the spectacle of a mostly white group booing Oakland's mayor, an Asian-American, off the stage? I wonder how that played around the world? They get American television in Beijing."

Meanwhile, Reed is hard at work shattering yet another idol.

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"I've spent the last 10 years working on a big book on Muhammad Ali," he says.

He pauses.

"This is probably the most balanced portrait of the champion yet written," he said.

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Chris Hedges spent nearly two decades as a foreign correspondent in Central America, the Middle East, Africa and the Balkans. He has reported from more than 50 countries and has worked for The Christian Science Monitor, National Public Radio, The Dallas Morning News and The New York Times, for which he was a foreign correspondent for 15 years.

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