Moore said of "dead peasant policies" during the Q&A that this is "how corporations see you." They think it is in their best interest to not give you health insurance and rig the system through unsafe conditions in the workplace. Then, you will die sooner and will make them money.
A horrific story involving young people is included in the film. Moore details how two Pennsylvania judges were charged with taking millions of dollars in kickbacks to send teenagers to two privately run youth detention centers. He chooses to go beyond calling this corruption and calls it a symptom of capitalism, a result of a system that legitimizes greed.
In the latter part of the movie, Congress is shown doing the bidding of Sec. of Treasury Henry Paulson. The majority of Congress members are afraid of voting "no", of being responsible for an economic meltdown that could cost them their re-election. Like in October 2002 when they were afraid to vote against the Iraq war for fear of being labeled a supporter of Saddam, they allow what Rep. Marcy Kaptur agrees is a "financial coup d'e'tat."
Archival footage of Franklin Delano Roosevelt that Moore explained was "conveniently lost and buried" appears toward the end of the film. As he was dying, FDR asked that someone film him speaking about a Second Bill of Rights.
For Moore and crew working on the film, it was intensely emotional every time they watched the footage because it made one wonder what the last 65 years would have been like if Americans had seen this. And, the archival team uncovered the footage by refusing to believe the Roosevelt Library when the library told them the footage didn't exist.
The film is an intensely personal one for Moore. Going back to the production of Roger & Me (1989), Moore goes into the trials and horrors that his hometown Flint, Michigan experienced and how Flint has been for the past twenty years. Moore tries to get a meeting with the men in charge of running GM so he can offer some advice that could significantly turn business around. He is not allowed to go near the building entrance.
The faith Moore had as a child in Judeo-Christian teachings and interviews with priests add an extra element of intensity. News clips show how Americans have been duped into having faith in capitalism, faith that directly contradicts what many believe religiously.
Moore's magnum opus comes to an end with a sequence of Obama riling up citizens for "hope and change." Shots of individuals taking on the recession, shots of people refusing to let capitalism take away basic needs that are necessary for survival, and shots of workers championing democracy in the workplace end the film on a high note.