"Pro-Russian forces have said they are fighting against Ukrainian nationalists and 'fascists' in the conflict, and in the case of Azov and other battalions, these claims are essentially true." [See Consortiumnews.com's "Seeing No Neo-Nazi Militias in Ukraine."]
More evidence continued to emerge about the presence of Nazis in the ranks of Ukrainian government fighters. Germans were shocked to see video of Azov militia soldiers decorating their gear with the Swastika and the "SS rune." NBC News reported: "Germans were confronted with images of their country's dark past ... when German public broadcaster ZDF showed video of Ukrainian soldiers with Nazi symbols on their helmets in its evening newscast.
"The video was shot ... in Ukraine by a camera team from Norwegian broadcaster TV2. 'We were filming a report about Ukraine's AZOV battalion in the eastern city of Urzuf, when we came across these soldiers,' Oysten Bogen, a correspondent for the private television station, told NBC News. "Minutes before the images were taped, Bogen said he had asked a spokesperson whether the battalion had fascist tendencies. 'The reply was: absolutely not, we are just Ukrainian nationalists,' Bogen said."
Despite the newsworthiness of a U.S.-backed government dispatching neo-Nazi storm troopers to attack Ukrainian cities, the major U.S. news outlets have gone to extraordinary lengths to excuse this behavior, with the Washington Post publishing a rationalization that Azov's use of the Swastika was merely "romantic."
This curious description of the symbol most associated with the human devastation of the Holocaust and World War II can be found in the last three paragraphs of a Post lead story published in September 2014. Post correspondent Anthony Faiola portrayed the Azov fighters as "battle-scarred patriots" nobly resisting "Russian aggression" and willing to resort to "guerrilla war" if necessary.
The article found nothing objectionable about Azov's plans for "sabotage, targeted assassinations and other insurgent tactics" against Russians, although such actions in other contexts are regarded as terrorism. The extremists even extended their threats to the government of Ukrainian President Petro Poroshenko if he agrees to a peace deal with the ethnic Russian east that is not to the militia's liking.
"If Kiev reaches a deal with rebels that they don't support, paramilitary fighters say they could potentially strike pro-Russian targets on their own -- or even turn on the government itself," the article stated.
The Post article -- like almost all of its coverage of Ukraine -- was laudatory about the Kiev forces fighting ethnic Russians in the east, but the newspaper did have to do some quick thinking to explain a photograph of a Swastika gracing an Azov brigade barracks.
So, in the last three paragraphs of the story, Faiola reported: "One platoon leader, who called himself Kirt, conceded that the group's far right views had attracted about two dozen foreign fighters from around Europe.
"In one room, a recruit had emblazoned a swastika above his bed. But Kirt " dismissed questions of ideology, saying that the volunteers -- many of them still teenagers -- embrace symbols and espouse extremist notions as part of some kind of 'romantic' idea."
So, why did the New York Times excise this well-documented history as it touted the Azov battalion to its readers on Wednesday? Isn't the role of neo-Nazis newsworthy? In other contexts, the Times is quick to note and condemn any sign of a Nazi resurgence in Europe. However, in Ukraine, where neo-Nazis, such as Andriy Parubiy served as the coup regime's first national security chief and neo-Nazi militias are at the center of regime's military operations, the Times goes silent on the subject.
It can't be because the Times is unaware of what has been extensively reported about the Azov battalion. The Times could even find a brief reference in one of its own prior stories. The only logical answer is that the Times is committed to a propaganda position on the Ukraine crisis and doesn't want the facts to get in the way of its preferred storyline.