Already they were looking ahead they were figuring the future and somewhere in the future they saw war. To fight that war they would need men and if men saw the future they wouldn't fight. So they were masking the future they were keeping the future a soft quiet deadly secret. They knew that if all the little people all the little guys saw the future they would begin to ask questions. They would ask questions and they would find answers and they would say to the guys who wanted them to fight they would say you lying thieving sons-of-bitches we won't fight we won't be dead we will live we are the world we are the future and we will not let you butcher us no matter what you say no matter what speeches you make no matter what slogans you write. Remember it well we we we are the world we are what makes it go round we make bread and cloth and guns we are the hub of the wheel and the spokes and the wheel itself without us you would be hungry naked worms and we will not die. We are immortal we are the sources of life we are the lowly despicable ugly people we are the great wonderful beautiful people of the world and we are sick of it we are utterly weary we are done with it forever and ever because we are the living and we will not be destroyed.
If you make a war if there are guns to be aimed if there are bullets to be fired if there are men to be killed they will not be us. They will not be us the guys who grow wheat and turn it into food the guys who make clothes and paper and houses and tiles the guys who build dams and power plants and string the long moaning high tension wires the guys who crack crude oil down into a dozen different parts who make light globes and sewing machines and shovels and automobiles and airplanes and tanks and guns oh no it will not be us who die. It will be you.
It will be you-you who urge us on to battle you who incite us against ourselves you who would have one cobbler kill another cobbler you who would have one man who works kill another man who works you who would have one human being who wants only to live kill another human being who wants only to live. Remember this. Remember this well you people who plan for war. Remember this you patriots you fierce ones you spawners of hate you inventors of slogans. Remember this as you have never remembered anything else in your lives.
We are men of peace we are men who work and we want no quarrel. But if you destroy our peace if you take away our work if you try to range us one against the other we will know what to do. If you tell us to make the world safe for democracy we will take you seriously and by god and by Christ we will make it so. We will use the guns you force upon us we will use them to defend our very lives and the menace to our lives does not lie on the other side of a nomansland that was set apart without our consent it lies within our own boundaries here and now we have seen it and we know it.
Put the guns into our hands and we will use them. Give us the slogans and we will turn them into realities. Sing the battle hymns and we will take them up where you left off. Not one not ten not ten thousand not a million not ten millions not a hundred millions but a billion two billions of us all the people of the world we will have the slogans and we will have the hymns and we will have the guns and we will use them and we will live. Make no mistake of it we will live. We will be alive and we will walk and talk and eat and sing and laugh and feel and love and bear our children in tranquillity in security in decency in peace. You plan the wars you masters of men plan the wars and point the way and we will point the gun.
Author's Introduction (March 25, 1959)
World War I began like a summer festival... Millions upon millions cheered from the sidewalks while plumed imperial highnesses, serenities, field marshals and other such fools paraded through the capital cities of Europe at the head of their shining legions.
It was a season of generosity; a time for boasts, bands, poems, songs, innocent prayers. It was an August made palpitant and breathless by the pre-nuptial nights of young gentlemen-officers and the girls they left permanently behind them. One of the Highland regiments went over the top in its first battle behind forty kilted bagpipers, skirling away for all they were worthà ‚¬"at machine guns.
Nine million corpses later, when the bands stopped and the serenities started running, the wail of bagpipes would never again sound quite the same. It was the last of the romantic wars; and Johnny Got His Gun was probably the last American novel written about it before an entirely different affair called World War II got under way.
The book has a weird political history. Written in 1938 when pacifism was anathema to the American left and most of the center, it went to the printers in the spring of 1939 and was published on September thirdà ‚¬"ten days after the Nazi-Soviet pact, two days after the start of World War II...
After Pearl Harbor its subject matter seemed as inappropriate to the times as the shriek of bagpipes. Mr. Paul Blanshard, speaking of army censorship in The Right to Read (1955) says, "A few pro-Axis foreign-language magazines had been banned, as well as three books, including Dalton Trumbo's pacifist novel Johnny Get Your Gun, produced during the period of the Hitler-Stalin pact."
Since Mr. Blanshard fell into what I hope was unconscious error both as to the period of the book's "production" and the title under which it was "produced," I can't place too much faith in his story of its suppression. Certainly I was not informed of it; I received a number of letters from service men overseas who had read it through Army libraries; and, in 1945, I myself ran across a copy in Okinawa while fighting was still in progress.
If, however, it had been banned and I had known about it, I doubt that I should have protested very loudly. There are times when it may be needful for certain private rights to give way to the requirements of a larger public good. I know that's a dangerous thought,and I shouldn't wish to carry it too far, but World War II was not a romantic war.
As the conflict deepened, and Johnny went out of print altogether, its unavailability became a civil liberties issue with the extreme American right. Peace organizations and "Mothers'" groups from all over the country showered me with fiercely sympathetic letters denouncing Jews, Communists, New Dealers and international bankers, who had suppressed my novel to intimidate millions of true Americans who demanded an immediate negotiated peace.
My correspondents, a number of whom used elegant stationery and sported tidewater addresses, maintained a network of communications that extended to the detention camps of pro-Nazi internees. They pushed the price of the book above six dollars for a used copy, which displeased me for a number of reasons, one of them fiscal. They proposed a national rally for peace - now, with me as cheer leader; they promised (and delivered) a letter campaign to pressure the publisher for a fresh edition.
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