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October 30, 2013

The Beatles and Their Contribution to Modern Radiology

By Panama Red

How modern medical imaging came about as a result of the Beatles' worldwide success.

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The Liverpool Lads and Their Contribution to Modern Radiology

Rockvale, TN, October 24, 2013 -- Electric and Musical Industries, Ltd, was a British firm that had been in the electric and musical business since the early 1930s. Mostly when you read about EMI on Wikipedia, all they talk about is EMI's musical legacy, but before the Beatles arrived on the scene, EMI was most highly valued for their contributions to the British war effort in World War II. Had there been no Beatles, there would have been no enormous interest in records. And the Wiki article would not be so gushily slanted as a result. 

Actually, mostly EMI did a lot of radar and microwave stuff.
Still, they kept their hand in the record biz, but even being a major player in a specialized market, which is what records were before the British Invasion, didn't count as their chief source of income. They made their money the old-fashioned way. They invented. They were scientists, not pop stars.

One of their scientists was a fellow named Godfrey Hounsfeld. Along about the beginning of the 1950s he had an idea: If you could take enough x-rays of the human body, it might be possible to mathematically manipulate the resultant images in such a way as to show the area of interest in cross-section. There was one overwhelming problem, however: it would take a lot of math. Later, Hounsfeld realized that a computer would do the trick and began to work on an idea that would ultimately become the first transistorized computer in Britain. This took a long time, however. The research and development was extremely expensive, even for EMI, so the idea was shelved and then re-shelved.

George Martin was a young A&R guy at EMI Records, and he heard the Beatles, signed them to the label, and produced their records. The rest, as they say, is history.  But not quite.

The Beatles not only changed the nature of the record business, taking it from small-time, largely regional endeavors to an actual industry, they also added millions and millions of sudden wealth to EMI.

Not having anything to throw all this windfall at, EMI funded Hounsfeld and his x-ray idea. The result was what was at first called EMI scan. We now know it as Computer-Assisted Tomography, or CAT scan. All other  modalities, PET scans and Magnetic Resonance Imaging (MRI), are descendants of Hounsfeld's idea.

So the next time you're having to lie in that MRI tube, as I was today, with those ineffective earplugs not keeping out the incredible 40,000-decibel slams and lurches, when that rhythmic thing starts up that reminds you of I Wanna Hold Your Hand (I can't hide! I can't hide! I can't hiiiiiide!), you'll know the reason. 



Authors Website: http://www.panamaredmusic.com

Authors Bio:
I was born in Nestlow, West Virginia.
I attended the US Army Information School. I was a stringer for Pacific Stars and Stripes in Tokyo. I went to work for a Korean-language magazine published by the United Nations Command. I gained a lot of experience and knowledge writing feature stories for it, mostly about industrial growth in South Korea.
I first came to Nashville to stay for any length of time in
1972. I became Billy Joe Shaver's guitar player, and we
wrote a couple of songs together, one of which, Bottom
Dollar, has at this time been recorded a bunch of
times. It has become a standard country song, but
standards don't pay; hits pay, but not standards...Shaver and I remain friends, I think. Sometimes when he's up against it I still play guitar for him.
I was standing on a street corner one day, gazing up at
Billy Swan's apartment house when I heard a voice over my
right shoulder saying, "Do you think I ought to call myself
Rich Friedman, Kinky Friedman or Big Dick Friedman?" It
was, of course, Kinky. Now he uses all three on his answering machine at the ranch. We became friends, and
he ultimately coerced me into playing guitar on his first
album, "Sold American", and as player and co-writer on his second, "Kinky Friedman". Later, when I joined the Jewboys, I started using the Panama Red moniker, which I'd carried around in my hip pocket since my post-Army San Francisco days when I'd dealt a little pot.
After the Jewboys I toured the U.S. and Canada with my own bands for a couple of years to no real effect, and moved back to Miami to hang out at Criteria Studios, then a hive of disco activity. Unable to bear the cocaine, I ran away to New Mexico.
A long time went by. There was some writing -- not very memorable, and the editing of a physics textbook. I lived in Santa Fe, Albuquerque, San Francisco, and Seattle. While in Seattle, I recorded my first solo CD, "HomeGrown", which Kinky released on his label, Kinkajou.
I came back to Nashville in 2000, stayed a couple of
months, went to Amsterdam for nearly two years. I came back to the U.S. in December of 2001, made some friends in Muscle Shoals and made my second CD. "Choice Buds".
I've been playing and writing blogs ever since.

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