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Stuart Davis and Strength of Character in 20th Century Painting

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Stuart Davis' paintings were landmarks of American Art for more than five decades.

"I can work from Nature, from old sketches and paintings of my own, from photographs, and from other works of art. In each case the process consists of transposition of the forms of the subject into a coherent, objective color-space continuum, which evokes a direct sensate response to structure. -- Stuart Davis, 1942"


Stuart Davis' Self-Portrait (1919)

"I see the Artist as a Cool Spectator-Reporter at an Arena of Hot Events. -- Stuart Davis, 1958"*



City Snow Scene (1911)


Bleeker Street (1912-13)



A River View (1913)


Portrait of a Man (1914)



Hillside With Trees (circa 1915)


Bowsprit (1916)


Backyards, Gloucester, Mass (1916)


Gloucester Landscape (1919)



Landscape, Gloucester (1922)



Place des Vosges No. 2 (1928)


Salt Shaker (1931)


Report From Rockport (1940)


Lesson One (1956)



Twilight in Turkey (1961)

And there is a final picture titled "Fin" which I leave to the reader to view at Artnet's Artist Works Catalogues by clicking here

*All the images and the words in quotation marks are courtesy of Artnet's Artist Works Catalogues. See here, where it says:

"This body of Modern and Contemporary artists' sites brings insight into the depth and scope of extraordinary artists' oeuvres, and it serves as a research tool for students, faculty, museum curators, researchers, dealers and collectors.

Artist Works Catalogues reflect the dynamic nature of the Web, and our goal is to present a growing body of artists' online monographs. Unlike published print monographs and catalogues raisonnés, these are living catalogues, which will be constantly updated as artists create new works and estates release additional information. Artnet offers these catalogues free to the public as an educational resource. Simply click on an individual artist's image to begin, and check back often to browse new catalogues."

 

I have a law degree (Stanford, 66') but have never practiced. Instead, from 1967 through 1977, I tried to contribute to the revolution in America. As unsuccessful as everyone else over that decade, in 1978 I went to work for the U.S. Forest (more...)
 

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