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Lou Reed's Politics

By       Message John Nichols     Permalink
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Source: The Nation

Lou Reed speaking at SXSW in 2008. (Licensed through Creative Commons. (Courtesy of Flickr user Nikolai36, CC BY-SA 2.0)

Lou Reed, who has died at age 71, will be rightly remembered for creating a canon that was groundbreaking in the scope of its sociological and literary achievement. There was nothing unreasonable about Reed's 1987 suggestion to Rolling Stone that "all through this, I've always thought that if you thought of all of it as a book then you have the Great American Novel, every record as a chapter. They're all in chronological order. You take the whole thing, stack it and listen to it in order, there's my Great American Novel."

Yet Reed was, as well, an artist who understood and engaged in the political struggles of his times. No one who followed the remarkable career of the Velvet Underground co-founder and iconic solo artist over the better part of five decades failed to recognize his determination to speak up -- and to show up.

From the beginning of his career, Reed identified himself as an artist who was determined to explore and explain the great societal taboos. He wrote songs about sex and sexuality, addiction, abuse, disease and communities that refused to conform or capitulate. His 1972 hit, "Walk on the Wild Side," took AM radio and a generation of young Americans to places they had never been before. That wasn't an explicitly political song by most measures, yet it achieved a remarkable political end: transforming how people saw one another, and themselves.

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John Nichols, a pioneering political blogger, has written the Online Beat since 1999. His posts have been circulated internationally, quoted in numerous books and mentioned in debates on the floor of Congress.

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