Share on Google Plus Share on Twitter Share on Facebook 5 Share on LinkedIn Share on PInterest Share on Fark! Share on Reddit Share on StumbleUpon Tell A Friend (5 Shares)  
Printer Friendly Page Save As Favorite View Favorites View Stats   16 comments

OpEdNews Op Eds

Budrus: A Film That Gives Viewers Permission to Feel Something Unpopular

By (about the author)     Permalink       (Page 1 of 2 pages)
Related Topic(s): ; ; , Add Tags Add to My Group(s)

News 2   Must Read 1   Valuable 1  
View Ratings | Rate It Headlined to H4 12/12/10

Become a Fan
  (66 fans)
- Advertisement -

The path of the wall in Budrus by Jillian

The Israeli-Palestinian conflict is often regarded with great pessimism. The thought that Israelis will stop building in Palestinian lands and respect the borders agreed upon in a 1967 agreement is unbelievable. The notion that Palestinians might renounce all violent resistance, which the Israelis use to stymie efforts at peace, is far-fetched.

There will most likely be no peace unless the people who are working in cooperation on films or art projects like Budrus are able to increase their impact on the world. This documentary is a success story that shows how peace can be forged through nonviolent acts of struggle.

Produced by Just Vision, the film tells the story of the village of Budrus in Palestine, where Israel is trying to confiscate three hundred acres of village land so they can build a wall. The community pleads with the soldiers to stop the construction so their community's olive trees and land can be saved. The pleas go unanswered and the Caterpillar bulldozers continue to destroy the land in preparation for the wall.

Community organizer Ayed Morrar decides to respond and lead a resistance movement against the construction in Budrus, but, first, tactics must be considered. Morrar understands what violence could mean for the community. He believes the community must not use violence and convinces the community to abandon traditional thinking, think strategically, and support a nonviolent resistance campaign.

The protest and resistance unfolds like any other oft-futile campaign by Palestinians until the community begins to cross boundaries. Women want to know why there are only men in the marches. The idea of women participating is pushed by Morrar's daughter to involve the women. The men let them join the march and place the women at the front of the march to deter Israeli military forces from using violence against them.

- Advertisement -

As Israeli soldiers tighten their security around the construction and become less tolerant of resistance, the village advances its strategy against the wall. The community crosses political boundaries and gets Hamas to work with Fatah. And, the community also allows Israeli activists to enter Budrus and engage in resistance against the construction

Media propaganda and Israeli forces, as shown in the movie, are no match for the Palestinians, who are willing to put their bodies on the line and get hurt so that they can keep their land. The women inspire with their courage as they taunt soldiers defending the construction and throw themselves in front of bulldozers effectively stalling the demolition. Children participate. The Israeli activists break stereotypes the community has as they had never though an Israeli would care about Palestinian suffering. A public relations nightmare is created, which leads Israel to back off and change where they build the wall so Budrus villagers no longer challenge Israel.

Westerners or Americans have long thought that Palestinians needed to stick to nonviolence against Israel if they ever hoped to win peace. Julia Bacha, the writer and director behind the documentary, explained during an appearance on "Riz Khan" on Al Jazeera English, covering nonviolent struggles require patience. There is no guaranteed outcome. A person has to believe in the determination of the characters involved in the struggle. This is why Americans do not know about peaceful resistance by Palestinians; the media sometimes picks up on protest movements when they are at their most sensational points but often only display interest in covering violence, which can be blamed on terrorism.

Bacha is a filmmaker who is truly committed to the cause of forging cooperation and understanding of the Israeli-Palestinian conflict by shifting attitudes. She is greatly optimistic about nonviolence bringing peace to the Palestinians: 

"To use nonviolence is much harder. It requires much more courage. It requires much more bravery than using violent methods"These processes take time. They lead to societies that are more democratic. They lead to societies that in this case through the participation of women in the struggle will allow for women to have a bigger role in power. Hopefully, with the political parties having to organize together the end result will be that the political parties can disagree but they have a larger common goal. Also, the participation of Israelis in these demonstrations creates an opportunity for people, who have not met but who have share the land, in the end to recognize the dignity and rights in the other and, when peace comes, this will be a long term peace and not just a ceasefire."


For nine weeks, the film has been battling traditions of commercial censorship in America and has only been shown on a handful of theaters around the country. It has been on the festival circuit and has earned awards at the Berlin, Tribeca, San Francisco and Bergen International Film Festivals and also a Witness Award at the Silverdocs Film Festival. This may mean nothing to you, but for documentary filmmakers, festivals can sometimes be the only opportunity one has to show their film and convince a distributor to release the film to a wider audience.

It has more power than any book by Noam Chomsky, Norman Finkelstein, or Ilan Pappe. The director and producers understand, as Neil Postman wrote, that images tend "to dismember reality." The news often "dismembers" the story of the conflict by showing only terrorism or by showing only war. The film challenges the "idiosyncratic" coverage of the conflict by adding a piece of the story that is often left out. That piece has more power than any other pieces of the story because it shows the people want peace but are struggling and need the world's help to survive.

The film, which began production in 2003, humanizes the Palestinians. It gives attention to a conflict that most artists and media makers would not dare, which is why so little art and media on the conflict is created. It is not afraid to make the Palestinians seem like real people who deserve empathy. And so, it creates inquisitiveness among Americans, who never would have dared to search for the truth about the Israeli and Palestinian conflict.

It makes Americans relieved to know people are trying to use nonviolence. It make some think about joining the struggle. It makes others, who have had their worldview or prejudice toward Palestinians challenged, admit they need to go home and think over what they just watched.

Next Page  1  |  2


Kevin Gosztola is a writer and curator of Firedoglake's blog The Dissenter, a blog covering civil liberties in the age of technology. He is an editor for and a former intern and videographer for The Nation Magazine.And, he's the (more...)

Share on Google Plus Submit to Twitter Add this Page to Facebook! Share on LinkedIn Pin It! Add this Page to Fark! Submit to Reddit Submit to Stumble Upon

Go To Commenting

The views expressed in this article are the sole responsibility of the author and do not necessarily reflect those of this website or its editors.

Follow Me on Twitter

Contact Author Contact Editor View Authors' Articles
- Advertisement -

Most Popular Articles by this Author:     (View All Most Popular Articles by this Author)

We Do Not Consent to Warrantless "Porno-Scanning" in Airports

Do They Put Lipstick on Pigs at the Funny Farm?

How Private Prison Corporations Hope Arizona's SB1070 Will Lead to Internment Camps for Illegals

Why the Battle Against TSA Groping and Body Scanners is Justified

Give Obama a Chance to Do What?


The time limit for entering new comments on this article has expired.

This limit can be removed. Our paid membership program is designed to give you many benefits, such as removing this time limit. To learn more, please click here.

Comments: Expand   Shrink   Hide  
5 people are discussing this page, with 16 comments
To view all comments:
Expand Comments
(Or you can set your preferences to show all comments, always)

This sounds like an interesting and valuable film.... by Bruce Morgan on Sunday, Dec 12, 2010 at 12:23:36 PM
Sardonic or not, I have to object to your comment.... by Kevin Gosztola on Sunday, Dec 12, 2010 at 12:58:15 PM
as always. Can we really consider a non- violent r... by Mark Sashine on Sunday, Dec 12, 2010 at 2:02:25 PM
"To use nonviolence is much harder. It requires mu... by Kevin Gosztola on Sunday, Dec 12, 2010 at 4:43:18 PM
but I have my doubts about the value of that powe... by Mark Sashine on Sunday, Dec 12, 2010 at 5:25:51 PM
I would only say, Kevin, that propaganda has suppl... by Ned Lud on Monday, Dec 13, 2010 at 8:52:38 AM
How did that nonviolence thing do during Operation... by Bruce Morgan on Sunday, Dec 12, 2010 at 8:47:06 PM
No? Okay, you have no credibility. ... by Kevin Gosztola on Sunday, Dec 12, 2010 at 9:42:16 PM
in assessing the works of art. There could be a q... by Mark Sashine on Monday, Dec 13, 2010 at 7:53:59 AM
'Non-violence' though is an ideology. When you cli... by Ned Lud on Monday, Dec 13, 2010 at 9:09:46 AM
But, that is not the point Bruce was making. He ha... by Kevin Gosztola on Monday, Dec 13, 2010 at 9:56:38 AM
You use a pretty harsh dialog with your critics. D... by Ned Lud on Monday, Dec 13, 2010 at 10:34:19 AM
Maybe it was worth seeing:)I think, I would follo... by Mark Sashine on Monday, Dec 13, 2010 at 10:46:08 AM
Was Palestinians successfully preventing Israel fr... by Kevin Gosztola on Monday, Dec 13, 2010 at 10:53:10 AM
This morning I was reading about the struggle betw... by Margaret Bassett on Sunday, Dec 12, 2010 at 2:30:57 PM
I know about a jewish woman in Zderot who mounted... by Mark Sashine on Monday, Dec 13, 2010 at 12:27:13 PM