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RADIO INTERVIEW: Linn Washington, Jr. on Mumia, MOVE, and the Philly Media

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So, the destruction of evidence alone raises serious questions about the propriety of the evidence used for the charges against them.

HB:   Why do you think they destroyed it?

LW: I think they tore down the house in part because they wanted to destroy evidence. Mayor Frank “the racist” Rizzo’s administration and Police Commissioner O’Neill claimed they tore it down because they didn’t want it to become a shrine for MOVE and they felt that they could not maintain security around the house to prevent MOVE people from occupying it again.

The patent absurdity of that is shown by this: From the beginning of March to around the middle of April, 1978, the police enacted a starvation blockade around the house where they sealed off a whole section of Powelton Village, and did not let anyone in or out. People that lived there had to have special passes like in South Africa to get in and out of their homes. So the notion that police couldn’t adequately secure the house is absolutely absurd.

One point of view is that the destruction of evidence destroyed any semblance of a fair trial.

You asked about “vivid memories,” and I remember covering one of the early preliminary hearings.  It was held in prison, where they brought in a mini-courtroom and a presiding judge (who was later fired for corruption). I remember vividly when the medical examiner came in and gave his testimony based on the autopsy report related to James Ramp, the officer who was killed.  

 

The medical examiner testified to one thing, in terms of how the bullet entered the body and such.  Then, when the prosecutor was getting ready to introduce the medical examiner’s report as evidence, he looked at the first couple paragraphs, and said “Oh, your honor, the medical report here does not conform with the testimony you just heard, let me correct it right here.”  This dude pulled out a pencil and changed the damn report right in the courtroom, and then introduced it as evidence. Unbelievably, the judge accepted it!

Once again, this was a very fundamental and egregious violation of procedures.  I left the courtroom and called my boss at the Philadelphia Journal, where I was working at the time.  I was told, “Yeah, okay, well, we’ll talk about it when you get back.”  I was also covering it for the United Press International (UPI) news service, so I called them up, but they told me they weren’t interested.  

 

I said, “Wait a minute. This whole confrontation between the city of Philadelphia and MOVE, starting from 1972, has been about double-standards of justice and violations of
rules and procedures.  Here you have a clear example of one, and it’s not newsworthy?” UPI answered: “No.  It’s not newsworthy, Linn.  If you find something else out, give me a call back.”

HB:   So, did anybody use your story?

LW: No!  

 

Nobody used it because they didn’t think it was important.  This is a separate argument from whether MOVE is right or wrong, but when you look at the media coverage of MOVE, everything that was perceived as MOVE doing something wrong, was publicized.   In contrast, the attacks on MOVE, the injustices, and the deprivations that they endured never found any coverage in the mainstream media. I know it was covered in the Tribune because I was covering for them.  It was also on black radio stations because there were black reporters that believed that you should be fair and balanced, and we were criticized for it, Mumia being one of them.  This was just because we felt that there were two sides to the story.  We weren’t taking MOVE’s side, but we felt they had a legitimate side that needed to be accurately presented.

If they’re getting beaten up, the women getting kicked in the vagina and having miscarried babies, that should be a news story.

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Hans Bennett is a multi-media journalist mostly focusing on the movement to free Mumia Abu-Jamal and all political prisoners. An archive of his work is available at insubordination.blogspot.com and he is also co-founder of "Journalists for Mumia," (more...)
 
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