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Who Was Walter Ong, and Why Is His Thought Important Today?

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Havelock, Eric A. The Greek Concept of Justice: From Its Shadow in Homer to Its Substance in Plato. Cambridge, Massachusetts; London, England: HarvardUniversity Press, 1978.

Havelock, Eric A. The Literate Revolution in Greece and Its Cultural Consequences. Princeton, New Jersey: PrincetonUniversity Press, 1982.

Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley; Los Angeles; London: University of California Press, 1993.

Koerner, Joseph Leo. The Reformation of the Image. Chicago and London: University of Chicago Press, 2004.

Levin, David Michael, ed. Modernity and the Hegemony of Vision. Berkeley; Los Angeles; London: University of California Press, 1993.

Levin, David Michael. The Philosopher's Gaze: Modernity in the Shadows of Enlightenment. Berkeley; Los Angeles; London: University of California Press, 1999.

Lonergan, Bernard. Insight: A Study of Human Understanding, 5th ed., edited by Frederick E. Crowe and Robert M. Doran. Volume 3 of Collected Works of Bernard Lonergan. Toronto; Buffalo; London: University of Toronto Press, 1992. A classic. Lonergan mocks the tendency to equate knowing with "taking a good look." In Ramus, Method, and the Decay of Dialogue and elsewhere, Walter J. Ong refers to this tendency as visualism and hypervisualism.

Nie, Giselle de; Karl F. Morrison and Marco Mostert, eds. Seeing the Invisible in Late Antiquity and the Early Middle Ages. Turnhout, Belgium: Brepols, 2005.

Nightingale, Andrea Wilson. Spectacles of Truth in Classical Greek Philosophy: Theoria in Its Cultural Context. Cambridge, England: CambridgeUniversity Press, 2004.

Ong, Walter J. Ramus, Method, and the Decay of Dialogue: From the Art of Discourse to the Art of Reason. Cambridge, Massachusetts: HarvardUniversity Press, 1958. A classic study of print culture. Reprinted with a new foreword by Adrian Johns by the University of Chicago Press in 2004. On page 338, in note 54, Ong credits the French philosopher Louis Lavelle (1883-1951) with "a discerning and profound treatment of the visual-oral opposition on which the present discussion [in Ong's book] turns," and Ong refers especially to Lavelle's La parole et l'ecriture (Paris, 1942). In his book Ong refers to the corpuscular sense of life with various terms: corpuscular view of reality, corpuscular epistemology, corpuscular psychology (pages 65-66, 72, 146, 171, 203, 210). For all practical purposes the corpuscular sense of life that Ong refers to is involved in what Bernard Lonergan mocks in Insight: A Study of Human Understanding as the tendency to equate knowing with "taking a good look." Ong also refers to the visualist loading of this tendency as visualism and hypervisualism.

Ong, Walter J. The Barbarian Within: And Other Fugitive Essays. New York: Macmillan, 1962. See the index for "visualism."

Ong, Walter J. "World as View and World as Event." American Anthropologist, 71, 4 (August 1969): 634-47. Reprinted in Ong's Faith and Contexts: Volume Three, edited by Thomas J. Farrell and Paul A. Soukup (Atlanta: Scholars Press, 1995: 69-90). In Ramus, Method, and the Decay of Dialogue, Ong refers to the corpuscular sense of life with various terms: corpuscular view of life, corpuscular epistemology, corpuscular psychology (pages 65-66, 72, 146, 171, 203, 210). Both the world-as-view sense of life and the world-as-event sense of life involve the corpuscular sense of life. In Insight: A Study of Human Understanding, Bernard Lonergan explains how understanding involves reflecting on sensory data and making judgments about what conceptual constructs and predications are most reasonable and tenable.

Ong, Walter J. "'I See What You Say': Sense Analogues for Intellect." Human Inquiries: Review of Existentialist Psychiatry and Psychology, 10, numbers 1-3 (1970): 22-42. Reprinted, slightly revised, in Ong's Interfaces of the Word: Studies in the Evolution of Consciousness and Culture (Ithaca, New York; and London, England: Cornell University Press, 1977: 122-44).

Phillips, Catherine. Gerard Manley Hopkins and the Victorian Visual World. Oxford: OxfordUniversity Press, 2007.

Phillips, John. The Reformation of Images: Destruction of Art in England, 1535-1660. Berkeley; Los Angeles; London: University of California Press, 1973.

Shapiro, Gary. Archaeologies of Vision: Foucault and Nietzsche on Seeing and Saying. Chicago and London: University of Chicago Press, 2003.

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Thomas James Farrell is professor emeritus of writing studies at the University of Minnesota Duluth (UMD). He started teaching at UMD in Fall 1987, and he retired from UMD at the end of May 2009. He was born in 1944. He holds three degrees from (more...)
 

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Fascinating by Debbie Scally on Sunday, Mar 14, 2010 at 1:22:38 PM