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Held at Einab Junction: Inside Israel's New Terminals

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By Anna Baltzer  Posted by dick overfield (about the submitter)

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The iron door behind me buzzed and the soldier told me to place the crate containing my clothes and phone into the room where I had last seen the guard. My other belongings were long since gone, and I could hear soldiers in the next room going through them. When I got back to the room, the soldier in the window was gone. I sat down on the chair and waited. The soldiers next door were chatting and laughing. I imagined them examining my personal photographs and letters. I was too upset to sit still. I stood up and started pacing back and forth in the small room. I had to do something—anything—to express my emotions. If I could hear them, then they could hear me. I began to sing.

I sang an old song that I'd learned at summer camp as a child. Its words were meaningless, but I sang it at the top of my lungs. Within seconds, the female soldier was at the window, looking alarmed. I waved. I sang that stupid song until my voice hurt. It felt good to sing—I felt empowered. It was easier to act like a crazy person than a prisoner. If I was unpredictable, then they had lost the power to control me.

Half an hour passed. Or was it an hour? My energy had worn off and I sat down miserably on the chair. I was tired. The soldiers were gone from the next room now. What was taking them so long? It was cold in the room, and I had nothing to cover myself with. I began to shiver and rock back and forth on the chair. I had no more energy to yell. I began to cry. I cried for what felt like a long time. Eventually, the female soldier appeared in the window. I could tell she felt bad for me. I looked away. The door buzzed and she instructed me to open it. On the other side was a jacket and a cup of water. I put on the jacket and drank the water to soothe my throat, but I was unimpressed. I didn't want a jacket or water. I wanted my freedom to leave. I wanted my dignity back.

Time passed. I stopped looking at the soldiers and talking to them. I stopped thinking of ways to pass the time or express myself. I didn't even feel like myself anymore. I felt empty, defeated. I just sat and waited, with a feeling of profound loneliness.

After what felt like an eternity, the iron door buzzed and I opened it to find all my clothes and bags in a large pile brimming over the tops of the containers. The soldiers had emptied every single item separately into the crates. The papers from my notebook were strewn about loosely. Each piece of embroidery had been removed from its protective wrapper and crumpled into a pile. A can of tuna had been opened and left amidst the hand-sewn garments. Even the boxes of Turkish delight—a soft sticky candy covered with powdered sugar, which I'd brought for some friends—had been opened and rummaged through.

The only thing stronger than my anger was my desire to leave. I sat down miserably and folded everything back into my bags. I was crying uncontrollably, but I bit my tongue each time I was tempted to speak. When I was dressed and ready, I stood up, collected myself, and tried to open the door. It was locked.


"The door's still locked," I informed the soldier watching through the window.

"Yes, please wait a little longer."

"Why?" I asked. "You saw everything I have. You know I'm not a security threat, and surely you know by now that I have a visa."

"I'm sorry but you're going to have to wait," she said.

I couldn't hold myself back any longer. I lost it. I opened up my bags and took out what was left of my canned tuna. With my fingers, I began to spread the oily fish all over the window.

"What are you doing?" asked the soldier, disturbed.

"You don't respect my stuff, I don't respect yours," I answered.

Next, I opened a box of Turkish delight. "I'm not going to stop until you let me out," I announced as I began mashing the gummy cubes into the hinges of the iron door.

"OK, OK," said the soldier's voice over the intercom. "You can go now." The door buzzed.

I gathered my bags and walked out. A soldier was waiting for me on the other side. He gave me my passport and said I was free to leave. I called Kobi as soon as I was outside. He said it was the US Consulate that had helped get me released. The army claimed they were holding me because of the photographs I had taken inside the terminal. Interestingly, they hadn't bothered to delete the images from my camera when they searched my bags.

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Einab Junction by philip rosen on Saturday, Nov 29, 2008 at 7:50:57 PM